Triform
Feels So Good

Finest Hour delivers its first 2 x LP, “Universal Voyage”, courtesy of Ukrainian up and coming producer Aliana, seamlessly matching the label’s aesthetics with her non-conformist sound offering hints of minimalist neo-detroit house and early 90s electro as well as UK tech-house influences. After a little sabbatical year, Finest Hour comes back with a subtle bang, presenting its first full cover artwork cover in the process.

Wicked new J Albert 12" on LQQK Studio's 369 Records imprint that spans NYC freestyle-esque electro, dubbed out garage and tougher techno. All killer no filler

Mehdi M brings newfound expression to his debut eclectic album, folding richly harmonic elements into his cryptic palette of electronic sounds. The album is at its core a collection of influences through out the years exploring the artists journey after his international departure from Egypt. His work taps into an expressive dimension most importantly focusing on intimacy and uniqueness.

The First Second Label family return for 2021 with Housebreaker, the highly anticipated return of ELLLL following her much loved Febreeze EP from 2019. Comes with an ace Slo’ Motion refix from Parris!Haunted, scattered breaks loom over the title track, a modern apocalyptic Hardcore journey where rave sirens puncture the feverous rinse-out tension throughout. The Alantis Dub flips the script, doubling down on the atmosphere while upping the tempo to screw-face the chaos within its experimental D’n’B fever dream. Both tracks showcase ELLLL’s exceptional production chops with its nuanced textural trickery & immersive sound design skills. London’s Parris then rewires the OG, simmering the tempo down low to 110bpm for a sinister nocturnal skank for the night fiends who thrive when entering into first light.

Alfred Czital on Harmony Rec.!

James K debuts on Incienso with sophomore album Random Girl. What’s gathered at first is a heterogeneous mixture of intimacy and sore, collected between 2014-2018. As if in a cruel playground game, K breaks a tracklist full of complex soundscapes, voice manipulation, and dazzling shoegaze with a self-built noise box, stethoscope throat-voice and a cellphone recording from a fake tropical island on ecstasy. Consequently, Random Girl is a voice against infantilization of girlhood, a decisive refutal of integrity, fighting what can be understood as the death of expression. Take a sip of water before your memory error blinks. Dial to K. Listen to the disfragmented territory and the cast of it she’s making. It might not be what you will have thought tomorrow.