Vitess
Tigre Bichro

Across these 7 untitled tracks (as is the modus of all blundar releases) the producer known as Unfinished Portraits crafts a coherent album experience that is equal parts empty space and density. Working in a seemingly collage-like fashion, the opening track juxtaposes rhythmic elements that just barely fit together; declaring upon entrance that all expectations from here on out are futile. Tension builds through a sparse palette of sounds both tactile and atmospheric. Dry, isolated clicks of digital clean trickling through a humming industrial space. Segments are abstract on their own, but stitched together still form an elegant whole. Just when you think you’re getting lost into avant experimentation, something cuts in to surprising effect. It feels “live” in a way only improvised music can.And there is a conceptual sense of humor in letting the seams of the process lay bare. A string section builds only to be cut short upon completion. A field recording is audibly (i.e. intentionally) looped. The listener is made aware of the illusion and manipulations that ‘music’ creates in the same way Martin Margiela handled ‘fashion’ - with a postmodern kind of wit.Hailing from Cairo but residing in Argentina, Unfinished Portraits could easily exude upon a dual exoticism in nationalities and climates. This is however not on the agenda, as for where this artist truly resides, is in the hypertextual realm of late capitalism. Identity loss, internet culture, the aesthetic of sadness and the Warp Records catalogue all come into play.No matter what city, the urban landscape is always concrete and glass. And as the sleeve photo suggests - a picture of a former park turned to rubble in the process of housing developments - all cities are essentially unfinished.

For the 2nd release of Pinkman's sublabel Mindri, the mad professor Univac arranged an excursion through a toxic wasteland. Stripping the sound to its raw atomic rhythms and rendering mayhem into a state of survival. 'Helicon' is a 4-tracker of gritty electronics, served with Univac's no-frills attitude.

Introducing Cutcross, created to champion the melting pot of bass-centric sounds teetering around 140 bpm. Heading up the concept is Sicaria Sound, a DJ duo who since their inception set out to explore and expand on the possibilities of these sounds whilst spotlighting underground artists. Cutcross is therefore their next step in supporting the forward-thinking music that they've drawn for when curating sets.For CXT005 we've curated another compilation EP - "With The Sonant" - stitching together a collectively hazy set of tracks yet each with their own vocal deviations. Epoch's long coveted "2-Door Subaru" is the explosive opener, followed by two distinct approaches to trappier terrains via Woven Thorn's "Loveless" and "Try Me" by zns before descending into the dub-diving murky waters of Soukah's "Don't Care".

V° aka Phil Moon was already musically active in the past under the name of DJ Valium, releasing with DJ Hell's label Gigolo Records, He has gifted us with a spellbinding track recorded a long time ago as a collaboration with Toon Bosschaert. An unacknowledged presence that goes by the name Greyfox has given to the EP a real cybertronic development...Italian DJ and Producer from the sub-world Marco Bellini born in 1964 initiate the B side with "Punto G" (Rework) a primitive Techno-Trance sub-harmonic revolution. Sigmatibet (AKA Paolo Gozzetti) is a producer and an influential musician that debuted in 1991. He contributed massively to the Italian techno and rave scene in the nineties, his track "Benz" is such a retro, gritty 12bittish jam we luckily managed to recover from an old DAT, a gem almost lost in time.

Kreggo on Furthur Electronix!

The Minneapolis-based producer and live performing artist Autokinetic debuts on DVS1's Mistress Recordings: "Mistress 16" is not only a thrilling, hardware-heavy heads-down techno affair with a focus on polyrhythms and basslines, Autokinetic also showcases his melodic ingenuity that adds a deeper level to his narrative.