Henry Greenleaf
Taking First EP

V° aka Phil Moon was already musically active in the past under the name of DJ Valium, releasing with DJ Hell's label Gigolo Records, He has gifted us with a spellbinding track recorded a long time ago as a collaboration with Toon Bosschaert. An unacknowledged presence that goes by the name Greyfox has given to the EP a real cybertronic development...Italian DJ and Producer from the sub-world Marco Bellini born in 1964 initiate the B side with "Punto G" (Rework) a primitive Techno-Trance sub-harmonic revolution. Sigmatibet (AKA Paolo Gozzetti) is a producer and an influential musician that debuted in 1991. He contributed massively to the Italian techno and rave scene in the nineties, his track "Benz" is such a retro, gritty 12bittish jam we luckily managed to recover from an old DAT, a gem almost lost in time.

The first vinyl release from s2i Recordings introduces Fader Cap (previously Sedgwick). An existential trip across 3 tracks recorded in one 12 hour session, with the source material written for live-performance in early 2021. Heavy on the 303, with rhythmic propulsion for the breaks-inclined heads. Tinged with heavy nostalgia for the atmosphere of DIY sound systems in the Australian bush. Design by Studio BalconyIllustrations by Gabe Van GiapMastered by Marco at AnalogcutContact: s2i.recordings@gmail.com

The fifth release of the CiM re-issues is his debut EP for the deFocus-label dating back from 2000. With 'Service Pack' Simon Walley subtly moved away from the dancefloor, creating a pack full with ear tickling and mind twisting electronica. Pure bliss. Now re-mastered and re-cut on Delsin Records.

Channeling her innermost depths, Oshana reveals her widest body of work to date, “Disciples of Dystopia;” a multi-faceted expression of the emotions, influences, and sounds that have guided her on her musical journey. The album aptly marks the fourth release on her very own, Psionic label, and is the first double 12” in the catalogue.

René Huthwelker’s solo performances emphasize minimalistic repetitions that are created foremost by analogue-synthetic spheres. 'IIIIIIIIIIIIIIIIIIIIIIIIII' is Huthwelker‘s solo debut in which he presents an insightful exploration of polyrhythmic networks, based primarly on the analogue synthesis of the Buchla system.

Marco Shuttle's third album, Cobalt Desert Oasis, features a varied collection of music recorded across a two year period. Often traveling to remote destinations, Marco would come back to Berlin with field recordings, images, and other inspirations to process in his studio and turn into sound.The theme of the journey turns into a something more abstract than a travel diary, where environmental sounds blend in with modular synthesis, drum machines, effects and analog oscillators resulting in a cinematic listening experience where psychedelia, ritualism, and mysticism weave together in a sort of alien soundscape - that as the title of the album suggests, is reminiscent of a parallel utopian world. The album is rich in complex rhythmics, and more than in any of his previous work, has strong acoustic elements. Amongst other percussion instruments, Marco used the Tombak, a traditional Persian hand drum capable of reaching a very wide range of frequencies - from deep round subby toms, to high pitched sharp rimshots, throughout the record. Marco Shuttle is certainly not new to these sort of elements, but in Cobalt Desert Oasis he brings the environmental element of his sound into the forefront in a way that takes the listener into a hazy expanse where it is sometimes difficult to distinguish the machine elements from the natural - and where the music almost becomes a visual experience, which relates to Marco's own photography used throughout the cover and insert images.