Nadia Struiwigh
Pax Aurora

Die Orakel presents three spaced out excursions by Koehler.

CH415 with 4 strong Electro & Detroit tracks, limited hand stamped copies, TIP!

Generative music seems to imply a systems approach to music, or a system that once created can utilise randomness in a creative way. The benevolence of nature’s creativity belies this musical term, and can flip the word ‘generative’ to mean to involve constantly flowing creativity with purpose. In Europe there was a time in the Pagan Renaissance when architecture would mirror nature’s generative quality. Sculptures and columns were to imply animation or movement.That’s where Milan W.’s album comes through in 2021. His music involves the night shadows of Europe’s architecture and its growth. In Bloom personifies itself by showing Antwerp’s influential ‘Night Play’: a term that can relate to many European cities such as Bologna, Vienna, and so on and so on. The leftovers of Renaissance and gothic architecture are everywhere in Europe still; layers of ruins that can generate the impression of simultaneous time periods. Tracks like Spa and Helium Queen reveal and revel in the power of shadow movement that is generated by the night. In Milan W.’s past works, the poignant and simple creative play of dark wave and synth beat music was his vehicle for expression, but now on In Bloom he departs to a touching sidereal impressionism allied with Coil’s instrumental pieces on Horse Rotorvator — an album whose cover portrays the potential powers of the pavilion just as Milan W. is portraying the generative soul and alienation of Europe’s ‘Night Play’. Because of In Bloom we can come to believe that there is a secretive energy in alienation, a playfulness that is alight at Night.

Next up on Seven Hills, we have an original release from the Holland-based Timo Faber and Jeffrey Baardolf AKA Young Adults!Serving up 4 slices of tech’d out wiggle, melding: techno, minimal, electro, and a splash of noxious chemicals, the Anxiety Bar EP comprises a variety of heavyweight d-floor weapons.Threat Level Midnight blends a combo of idiosyncratic drum samples with an infectious bubbling synth line, a prime example of peak-time tech-house tackle. While the title track Anxiety Bar takes a dark, moody, almost gothic turn, seriously phat bass for seriously phat systems.On the B, Integrated Lizard People slithers and slinks about gurgling synth lines and features unsettling reptilian almost-vocal sounds. Serving as a high-class closer, Fermented Feelings reigns in the trip with satisfying electro-ish drums, sauntering atop a sophisticated, warping melody.

Om Unit’s ‘Acid Dub Studies’ series continues to unfold. This latest instalment of the project comes in the form of 10 brand new remixes which form the second volume of ‘Acid Dub Versions’, featuring remixes from Yushh (Pressure Dome/Wisdom Teeth), Hodge (Houndstooth / Livity Sound), Double O (Rupture), Amy Kisnorbo (Pineapple), Tapes (Jahtari / Good Morning Tapes) V.I.V.E.K (System), Versa (System / ZamZam), Frenk Dublin (Echo Ltd. / Dub Communication), Surgeon’s Girl (Inside Out / Livity Sound) and Nadia Struiwigh (Nous’Klaer Audio / Central Processing Unit)The eclectic ‘Acid Dub Versions II’ LP comprises of the smouldering cerebral scapes of Yushh’s take on ‘Camo’ as well as Hodge’s own pounding club version. Double O transforms the classic ‘Tempo’ rhythm into a kind of future-retro rave stepper, and Amy Kisnorbo walks the ‘Strange Brew’ track into a eased-back but confident new territory.The dub aspects are also enforced and re-shaped by prolific legend ‘Tapes’ who turns the ‘Tempo’ back towards it’s more dancehall roots, V.I.V.E.K takes the Bristol Theme in to 140 territory featuring System Sound’s in-house MC Dego Ranks. Bristol’s own enigmatic dubwise adventurer Versa turns ‘Valium Tempo’ into something akin to a Cosmic Bridge release, paying homage to the classic tropes of the ‘UK Bass’ sound and Rotterdam’s Frenk Dublin turns in a seriously deep basic channel-esque dub tech take on ‘Ghosts’The album is finished with 2 ambient cuts featuring the beautiful chaos of Surgeon’s Girl’s remix of ‘Tapped’ and the Dusky brooding reflective tones of Nadia Struiwigh’s version of ‘Electroacidspringwater’.‘Acid Dub Versions II’ serves as a logical progression to Om Unit’s best-selling series of well-respected works, allowing for community input on a concept which has of late been travelling far and wide via Om Unit’s live shows and continued DJ support.