Open today: 00:00 - 00:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

OK EG
Intertidal Zone

Intertidal Zone

Artists

OK EG

Catno

WPR001

Formats

1x Vinyl 12"

Country

Australia

Release date

Jul 28, 2021

Wax’o Paradiso Recordings presents its debut outing on vinyl, OK EG’s Intertidal Zone EP.

Wax’o Paradiso Recordings presents its debut outing on vinyl, OK EG’s Intertidal Zone EP. The new label from the long standing Naarm (Melbourne) party is set to explore hi-fidelity, landscape-driven and cerebral music from the antipodes and beyond.

After sold out pressings on local imprints Animalia and Steeplejack, this EP explores a more contemplative side of OK EG, suitable for discerning dancefloors and meditative home listening alike.

Conceived in 2019 and completed in 2020, Intertidal Zone was recorded in collaboration with percussionist Phil Stroud. The rhythm tracks are a fusion of drum machines and hand drums, loose percussion, human voices and tuned percussion immersed in water. Joined by analog synthesisers, layered vocals, processed guitar and field recordings, the music evokes solastalgia and a reverence for nature.

The final track, Golden Hour, came from an improvisation with multi-instrumentalist Adam Halliwell on flute and jazz musician Jack Doepel on Korg bass, later transposed to modular synthesiser.

Wax’o Paradiso and OK EG acknowledge the traditional owners of the land on which this music was recorded, the Wurundjeri people of the Kulin nation, and pay their respects to elders past, present and emerging.

Media: Mi
Sleeve: M

15.5€*

*Taxes included, shipping price excluded

A1

Precipitation

A2

Intertidal Zone

B1

Littoral Drift

B2

Golden Hour

Other items you may like:

Originally released in 1993, 4 banging tracks from the past but still contemporary crossing genres between House, Progressive House and Trance.
Landing on Delsin with a highly developed strain of emotionally inquisitive electro, Reedale Rise presents a new four-track EP which builds on his growing reputation for beautifully rendered headphone escapism. Since first appearing in 2015, Liverpool-based Simon Keat has released on such respected outlets as Frustrated Funk and 20:20 Vision, while last year he released This Beautiful Life, an LP for Assemble Music. From the twinkling melodic mystery of 'Littoral Zone' to the playful synth flourishes of 'Globular', 'Driftwood's plush, expressive layered lines to 'Artemia's deep-diving introspection, this latest release confirms Keat as a leader in the field of contemporary electro, delivering tracks with pristine production but crucially placing feeling as the priority ahead of the considerable technical finesse.
Session Restore teams up with good friends Bernhard and FL_000 for a colorful, groovy techno EP.
Well it had to happen eventually didn’t it. I have been thinking about releasing a DnB record for a long time but had stalled as I hadn’t been finding myself playing up at that tempo and I always want to be able to play the label records out as much as possible. Nowadays I am so all over the place when it comes to tempo that I could easily find myself reaching for 160-170 tracks and so now seems like the perfect time to release some music up at those speeds.
Means&3rd returns to Unveiled Nuance with 002 following the label's debut 'Thought Contortion'. This time coming armed with 4 tracks providing a more direct club sound and falling in line with NUANCE001's affinity for low-end, tight percussion and underlying tribalism.
In contrast to their previous EP’s, ‘Xenolith’ ups the intensity focusing on rugged breakbeats and destructive low end pressure. Across four tracks the duo experiment at different tempos, unearthing a myriad of themes inspired by forensic analysis and autonomous technological forces. Like alloys mysteriously grown from ore, fragmented artifacts of familiar origin take on new meaning. ‘Xenolith’ is bound together by complex and dystopian atmospheres, forging perhaps Tracing Xircles most intriguing record so far.