Neewt & Babydawg
Skyline Tears

For Erika's second album "Anevite Void", she explores her live process as it permeates everything she does, including documenting the process of life in the elaborate sci fi mythology she created. Erika began performing live in Ectomorph in 1997 when she was gifted a TR-606 by BMG and asked to join the group. This grew to her building her own studio, performing solo as Erika, collaborating with people like Jay Ahern and Noncompliant, and performing as a member of Circle of Live. Her depth of thought and clarity of vision has led to her mentoring people on live performance through the In Bloom platform, where she has made a large impact on many up and coming musicians. "Anevite Void", Erika's new album, finds her organically writing songs for her live shows, allowing them to take shape through performance, and later recording them in the studio, making this the first album she has entirely written and produced on her own. Mixed by long time collaborator BMG, she finds this record as the launching point for a new process for her. Conceptually, this album was inspired by "the irregular life cycles created by three suns circling over a planetary organism that presents two major biomes: rocky crystalline desert, and deep layered forest, each of which exists above and/or below ground, depending on what phase the suns are in." From this realm the album took shape. She also chronicled this concept in drawings but found this painting by Detroit puckish punk legend Nai Sammon perfectly visually explained the concept, and chose it for the cover. She describes "each track is about an organic process that occurs: acts of survival of the biomes, or what happens between them and the multitude of other beings that they host." Erika is currently splitting her time between being based in Berlin and Detroit, is part of the triumvirate that runs Interdimensional Transmissions (BMG, Erika and Amber) that are releasing this record and produce legendary events such as No Way Back, Samhain and Return to the Source. She performs live and DJs and collaborates and oozes sonic truth in its many forms. Visit the "Anevite Void" in early 2023.

Dance Floor Rituals kick things off strong with the first release on the label by a producer that will be no stranger to people in the know.DJ and producer, Jorge Gamarra, has been crafting his skills for the best part of a decade. You can quickly notice his dedication to interesting sounds and strong baselines whilst listening to DFR’s first release. 4 tracks tailored for dark dance floors and long after hours. Emotional tracks with spiritual feeling and built intuition. The perfect music and artist to kick things off for this new label.This is not one to be missed. Be quick!

Atelier Baros, the 6th release from DisDat, is a 3 track EP by the Romanian master of texture, harmony and rhythm, Petre Inspirescu. The three tracks appearing on DisDat 006 / Ooze 000 each respectively offer singular experiences in atmospheric house, ambient and techno storytelling. “Foc,” “Si” and “Para” are tunes for the dance floor packed with layers of composition taking us back through time to our prehistoric heritage. The sounds of “Foc” and “Si” found on side A, in tune with the sophistication we’ve come to expect from the Dis Dat label, deliver an evocative soundscape where the relationship of humankind to the mastering of the elements––fire, earth, wind and water––can be felt.“Foc” (A1) a pulsating ethnoindustrial house track which spares no time in spreading its storied web, carries strong undertones of universal harmonics alongside the immediacy of bright splashing beats and upfront melodies. With “Foc” Inspirescu awakens the mythological figure of Hephaestus, the divine smith and patron of craftsmen, bequeathing the tradition of taming of such powerful elements such as fire and iron to humankind. Conjured here are the ancient ties binding human development with the essential elements that have become inseparable from our very lives, fire and iron, water and wind, all the while implicating the listener as the present day deity carrying the fruits of age-old discoveries and historicity.The storytelling power of A1 is followed with “Si” (A2) a playful and uplifting meditative groove on the power of the sublime, the awe inspired by the experience of the grandeur found in the universal soul of all things. The full bodied sound of “Si” aided by complex organic percussion work, flightlike harmonies and metallic grooves reinforce our industrial heritage while grabbing the listener for a journey through layers of dreamlike states and spatial reflection.The pulsating techno sound of side B brings together the elements found on “Foc” and “Si” into “Para” an unmistakably tight and danceable track; “Para” has also bloomed into the inauguration of the Ooze label, which will serve as DisDat and ReSolute’s outlet for the techno colored side of the musical spectrum. “Foc si para,” as the saying goes––it doesn’t take long to feel the flight of that raging fire connecting our age to how it all began.

After three EP's in his own name, and one with Moreno Ácido at Holuzam, Diogo makes his debut 12” in the Discos Extendes series with “FINALMENTE!”. In a singular appropriation of the vast legacy of rave culture, Diogo crosses, along four tracks, a certain time span between the 90's and the 2020's, with all kinds of recycling and updates that the exercise entails. Syncopated rhythmic patterns, robust basses, junglist echoes, haunted voices or celestial pads make up a revivalist sound palette, here rearticulated beyond linear structures. “Até Segunda” sets the tone in territories close to Objekt's Theme from Q in a live sound design amidst sudden disturbances and rallying hooks. Tracks 2 and 3 stand out for their plot twists: “Ponto de Não Retorno” starts with a frenetic breaky maze before get immersed in a oneiric landscape, and “What?!” progresses gently within Vancouver coordinates to be opened to a schizophrenic rawness that, from there, completely remakes the track. “Errar É Ok” is an exercise of decompression, melodically woven, with a dreamy coda pointing to nostalgic horizons. Violet closes the EP with a muscular version of “Ponto de Não Retorno”. "Finalmente!" marks for this unstable balance between familiarity and strangeness, intuitiveness and disturbance, euphoria and immersion. Tracks for the dance floor, yes, with a twist, to be rediscovered as often as you like.

Sushitech is back with another of its sublime vinyl-only projects and this one focuses on the work of Dexter. There will be three 12"s in all that draw together some of the producer's finest moments. He is a truly cult figure amongst those who know and he served up a fresh take on tech, acid, dub and house between 1997 and 2004 when these tracks were first made - if you can find any of those original records prepare to pay loads for them, or else dive into Past Moves I. It has a brace of slick, tightly programmed cuts underpinned by rolling pads with lovely lo-fi pads up top. Heady stuff.