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Andy Rantzen 'Return to the Source' provides an insight into the mysterious mind behind the man who has shone light on the Australian electronic music scene since the early 90s. Seven deep percussive heavy electronic funk jams, brimming with the beauty of hardware imperfections and pleasant surprises; making ideal tools for the daring dj looking to lead ears to a dimension where machines do the talking. Made between '97 and '20.

London-based producer, DJ, and promoter Saoirse is back with a follow up to her critically acclaimed and hugely welcomed debut solo release on her new imprint trUst Recordings.'Gentle Romance' is the first single from the forthcoming 3 track EP written by Saoirse.TRUST is one of the key foundations of safety, within yourself and with others. Vital for good health and happiness. The inception of trUst recordings was finally being able to trust in one's own ability. Trust in music made for dancefloors. Trust in its simplicity yet importance. This label founded by Saoirse will be asking those who she trusts, herself, her friends and her most loved producers to join the label as collaborators and solo artists.

'Reise Ins Glück' (engl.: journey into happiness) was the second EP from Pitchwork in 1996 by three young students from Freiburg (im Breisgau). At the time it also marked one of the very first record Alex (Sevensol) ever purchased and since then always finds it´s way back into his record bag. Three of the original tunes plus one unreleased track ('Rückreise') are now available again on vinyl. Fitting for the dancefloors of the 1990's just as much as it still is today.This record mirrors the personal dance music ethos for Long Vehicle, blurring fine lines between driving tech-house, slightly progressive acid and dubby garage music. Yes sure, let's go to bed grandpa.

Coral Morphologic is the brainchild of Jared McKay and Colin Foord. A mending of minds, the arts, science, and the sea. Their lab in Miami lies close to the Florida Reef just offshore; the third largest coral barrier reef system in the world. This album composed by Jared echoes the voice of the reef. A reflection of its cosmic connection to our moon. A departure from the earth into deep space. We often wonder what intelligent life exists outside of our own aquatic world. Look and listen to the synchronous celestial satellites and the endless love song they sing. *features a foldout poster with album art by Robert Beatty

All Killer no Filler Vol. 1 is the first release of the Köln based label Mephis. On this first delivery we are handed a 4 piece compilation from young uruguayan producers, all with their particular sort of spiciness and playful mischief. Alfalfa’s Vectorial Dings opens the EP with rusty acidic tones, eerie pads, warped drum samples and an overall restlessness that creeps through your spine inviting you into the dancefloor. Techno met Acid, flirted with Breaks and slapped Electro’s butt. An acidic variety of spiciness. Techno Trax follows, where diCarlo manages to create a playful atmosphere, with creative ever changing drum patterns, filter sweeping goodness, arpeggiated synth lines and deep hypnotic vocal samples. A sexy kind of spiciness. Elias Sternin’s track is a real banger, taking allthe classic ingredients for a steaming hot dancefloor stew. A cup of techno, a teaspoon of trance reminiscence, a pinch of progressive condiment, all served on a bed of arpeggiated goodness and rolling bass. A familiar yet refreshing take on spicy sauce. Closing the EP comes Lo-Lo with Brittany Stryker. Cold cutting synths, saturated and juicy bass, chonky percussions and a restraint propper of a spice connoisseur. Every element compliments the other, creating an odylic and tightly packed electro gem. A spicy; gazpacho looking, cold and sharp soup.