Dosis
Naranja 12"

Unreleased material from 90's mysterious underground legend Acid Pimp! Limited hand stamped copies..

Mystical dreamweaver Edward has previously brought out some of his classiest club-tooled gear for Trelik, with 2018's Rumours EP being a particular highlight in his glittering career in minimal. Breaking a protracted silence for Baby Ford's label, this new three-tracker once more takes us into the unique atmospheric zone Edward occupies with his productions. 'The Giver' has an unnerving, desolate quality but it's also rock-solid in the rhythm department, with subtle threads of warmth to balance out the eeriness. 'Memory Motions' is a spicier cut with a pronounced house jack to propel a tense set of sonic motifs, with a special mention to the wobbly organ-like chord line. 'Tuned' is the most upfront of all the tracks, using some processed piano hooks and a full compliment of nagging, funkified ingredients to make a certified, if left-of-centre, party starter.

Where We Met is proud to welcome RAW M.T. for its ninth chapter.The record is an excursion on Giorgio’s introspective world, showing all spectrum of his sounds and shades.You Can Still Dance is an effective breakbeat cut with a mellowing bass structure, In Trance keeps the mood further on with another breaky trip into melodies and back!This Is Not a Mindtrip slows down the bpm a bit and perfectly gets the record into another psychedelic dimension.Electro Queen close the EP with a stellar IDM track, something Richard D. James can clearly blink to.WWM009 is an elegant but dirty, effective but complex release that expresses Giorgio’s dedication to details: any sound, synth layer and drum is wisely combined to play with contrasts and synergies.

Having explored rather obscure and downtempo territory with Mr. G's album Pearls Don't Lay On the Shore earlier this year, CHILDHOOD returns with another discernig 12" dedicated to the dancefloor. Welcome to PLACE OF CONNECT PT.01! Ed Davenport, who has mainly focussed on his INLAND moniker in recent years, brings back another distinctive side of his personality delivering three unique, raw and pumping house cutz under his real name. The A-side starts off with Suntazia, an acid break beat anthem that sheds light and euphoria onto any dance floor, and is followed by the true jacking groove that is Inertia. The B-side is made up of Electricity, a wonderful testimonial to those magic moments on the dance floor, when everybody in the room just moves and moves... beyond the need of unnecessary gimmicks and sonic spectacles.

We travelled along the curvature of the earth and bent our minds asunder to get to where we are now. The passing of time has only made the lore more precious. With the gifts we have been provided, the story can finally begin.A man with drum machines, keyboards and a penchant for rawness enters. With rough takes and a distaste for convention, he emanates the sonicisms of TriForm. The forces of Earth are captivating but sometimes they conspire against you, and sometimes you lose revered recordings for abnormal reasons. From these once thought irretrievable tapes, he manifested the Refound EP.An ode to the EP’s arduous production, ‘Lost and Found’ revels in classic 90s house euphoria. Iconic bass stabs elevate and punctuate the succinctly aligned keys, causing big smiles and dancing miles. ‘909 Anodyne’ waxes and wanes, the vocoder-like synths repeating and reinventing over the mellifluous chords and the time-honoured drum machines' canonical reverberations.Flip the wax for ‘Attrakted’, a crunchy concoction with big-room tendencies. The bells are alive, and they’ve given you a thumping DJ tool that just won’t quit. Rounding things off is the aptly named ‘Younight’, lock in and get blindsided by the subtle acid, choral keys and saccharine beat. It’s emotion ‘til the very end.This is house music for every moment, made with machines and love. No AI, guy.

How do you get 'in the box'? Gal Tsadok-Hai knows. After some experiments with hardware, the Amsterdam-based electronic producer recently went back to his first love: computer composing. Thus keeping open all the options. Footsteps is his first EP for SoHaSo, filled with four tracks of adventurous, left-field explorations in rhythm and melody. cl_forwardspeed 5 is dominated by sub low baslines and razor blade rhythms, while mp_footsteps 1 nods more towards early Aphex Twin and the IDM trickery from last century. Flip the record for max_smokepuffs 999, on which Gal Tsadok- Hai proves he can also bring a straight four-four to great heights. It is both spacious and tense, which makes for a great combination. On closer sv_gravity 0 it's back to the days when melody was still the default in most techno and electro. If you like the abstract machine funk from Dopplereffekt, this might just be right up your alley.