Sterac
Missing Secrets

Generative music seems to imply a systems approach to music, or a system that once created can utilise randomness in a creative way. The benevolence of nature’s creativity belies this musical term, and can flip the word ‘generative’ to mean to involve constantly flowing creativity with purpose. In Europe there was a time in the Pagan Renaissance when architecture would mirror nature’s generative quality. Sculptures and columns were to imply animation or movement.That’s where Milan W.’s album comes through in 2021. His music involves the night shadows of Europe’s architecture and its growth. In Bloom personifies itself by showing Antwerp’s influential ‘Night Play’: a term that can relate to many European cities such as Bologna, Vienna, and so on and so on. The leftovers of Renaissance and gothic architecture are everywhere in Europe still; layers of ruins that can generate the impression of simultaneous time periods. Tracks like Spa and Helium Queen reveal and revel in the power of shadow movement that is generated by the night. In Milan W.’s past works, the poignant and simple creative play of dark wave and synth beat music was his vehicle for expression, but now on In Bloom he departs to a touching sidereal impressionism allied with Coil’s instrumental pieces on Horse Rotorvator — an album whose cover portrays the potential powers of the pavilion just as Milan W. is portraying the generative soul and alienation of Europe’s ‘Night Play’. Because of In Bloom we can come to believe that there is a secretive energy in alienation, a playfulness that is alight at Night.

THE LIGHTS, THE HEAT, THE STROBE, THE SWEAT! Just in time for the club season, Sneaker hands in two ten-minute trips containing the darkest secrets of dance music. And for the working DJ, there are 4 stripped-down tools on top. The Flow is the sound of tomorrow! The Flow is the sound of the 90s. But elevated to the next level. Yeah, progressive! The Flow is the sound of our heroes. The Flow is the sound of NY and Boccaccio wrought into DEEP BEAT. The Flow is the mellow of LB and the trip of Andrew. May they rest in heaven's glory on the wings of eternity! The Flow is the endless vibe of Josh's groove and the elegant abyss of Murk ensouled with celestial angels. The Flow switches paradigm into the extravaganza synthesis of Dazzle Ships. Ain't nuthin but a 909, an Emulator and a Studer. Cream of the crop. Plus the immersive soul of Yvonne drawing from half a century of light, heat, strobe and sweat. And the vision of a continental producer, whose perspective is timeless, deep, and loving. The Flow is a utopia, where clubs exist. - And flourish!

Peder heads for the iceberg!

Mystical dreamweaver Edward has previously brought out some of his classiest club-tooled gear for Trelik, with 2018's Rumours EP being a particular highlight in his glittering career in minimal. Breaking a protracted silence for Baby Ford's label, this new three-tracker once more takes us into the unique atmospheric zone Edward occupies with his productions. 'The Giver' has an unnerving, desolate quality but it's also rock-solid in the rhythm department, with subtle threads of warmth to balance out the eeriness. 'Memory Motions' is a spicier cut with a pronounced house jack to propel a tense set of sonic motifs, with a special mention to the wobbly organ-like chord line. 'Tuned' is the most upfront of all the tracks, using some processed piano hooks and a full compliment of nagging, funkified ingredients to make a certified, if left-of-centre, party starter.

Wound Without A Tear is a compilation of “Australian” Ambient and Experimental Music; an area so often overlooked and misunderstood because it does not easily fall into historical context. However, the fifteen years (1993-2008) the collection cites–a period of early 90s post-rave ethereality defined by pleasure-centred spaces (chill-out rooms) and the personal computer’s emergence as a popular tool for file-sharing and secondary-living in the 00s–is befitting of closer examination.The recordings were sourced from artists, labels, corrupted disk drives, CD-Rs, the WWW and archives of Melbourne’s 3RRR community radio station.During the 1990s, as new technologies emerged and mass digital culture flourished, artists explored the emergent possibilities of the Internet with a utopian fervour, viewing the web and its plethora of images and information as a site of boundless potential. In the 2000s, file sharing connected people around the world directly to one another, and this incorporation of online experience into material objects, meant there was an increasingly porous border between the online and offline worlds–if there remained a border, at all.What is remarkable from this collection is that so many people, working (mostly) on their own came up with such remarkably similar ideas. In most cases these similarities can be related to the inherent qualities of the medium, though often any distinction is decidedly blurred at the edges.The compilation seeks to make the works of these various artists available as a means of “demystification”. No specific destination is intended upon. Perhaps by the time you have reached the end, you will have forgotten where you began.Endnotes:How do you pronounce the title? Wound /waʊnd/ Without /wɪðˈaʊt/A /eɪ/ Tear /teə(r)/1. Wound. Furl. Twist. Wrap. Surround. To Move Back orForwards to a Desired Point.2. Tear. Interruption. Disruption. Imperfection. Rupture.3. Two words evoke a chain of events.

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