Maximo
XKP EP

Official, remastered reissue of the seminal Get Fucked first album (1999).Includes the complete tracklist, for the first time on vinyl. Dedicated to our late friend Nathan Coles.

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world.The PMA EP compiles four dynamic tracks recorded around 30 years ago by the duo of Shigeru Nakamura (drums/vocals) and Mikio Kato (synths) aka B-2DEP’T.Nakamura and Kato’s first album as B-2DEP’T, Products Plus, appeared on cassette in 1993 on Trigger Records, the predecessor label to Transonic (given a retrospective on SAIS004). Its bright yellow and blue retro-futurist artwork – which is echoed in the design for this reissue on SAISEI – matched the sounds held within: inventive, out-of-the-box dance music blending overseas influences with an idiosyncratic Japanese sensibility.Two tracks from Products Plus appear on this EP, All tracks re-edited by Junki Inoue and regular collaborator Yuzo Iwata for vinyl extended play and available now for the first time on vinyl. ‘Clockwork Giant Panda’ appearing in a version co-produced with Yoshinori Sunahara (ex - Denki Groove), merges a breezy US house groove and bassline with twinkling, almost parodic Japanese keys that act as a kind of meta commentary on Western perceptions of Japan (a concept pioneered by Yellow Magic Orchestra). The two parts of ‘BSMH’, or Body Sonic Mental Health from ‘Products Plus’, were originally remixed by Daishi Hisakawa of Tanzmuzik, who draws on darker sounds from Europe and the UK: restless Depeche Mode synth harmonies spiral above a pacy EBM pulse, with robot vocals intoning the titular slogan. The package is completed by the unreleased track ‘PMA’, whose driving, bass-heavy mood falls somewhere between Sheffield bleep and the ambient techno of early Biosphere.SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

SENSE001 showcases an indisputable attention in sewing hypnotic and atmospheric textures, offering a conscious and introspective experience for dancefloors.

From Detroit he delights us with a techno dub we needed in our bag. A unique power and sexy groove infused by hip hop roots. The Detroit guy Gari Romalis is now joining Secret Society family and add his solid groove quality we’ve been looking for since our inception.Harmonic beauty is provided by Irish Derek Carr, bringing out his synthesizers full of energy and chords that characterize him in Ep after EP. Super collage of swimmers by Macarena Langlois.

XOLOT is a mexican-french duo composed of Vica Pacheco and Apulati Bien, both sound and visual artists based in Brussels. They present on Promesses their debut release: 'XOLOT', an eponymous 6 track EP where Vica’s warm voices and neo-bolero flow melt with Apulati’s cold and evolutive beats. The result is 6 ovni songs somewhere between de-construct dancehall, minimal trip-hop and glacial R’n’B. XOLOT creates music in order to celebrate love, life and death. Their debut EP will be out on the 11th of June in digital and limited edition white vinyl (with a handmade silk-screened cover, designed by Eliott Grunewald).

Next up on Curated By Time: Sian Loves It - My Secret’s Safe With You.This is the seldom-seen moniker of Affie Yusuf and the only release he made under it, making each track extra special.I Am Free sets the tone thanks to shimmering hats and a looping underlying groove, opening neatly into Paris Is Ok with its pulsing synth lines. Then Get Out Of My Life rounds things off, a low-slung, well-aged house number.