Böhm
Leaving Earth Part 2

Polyverse is the new debut album of the very exciting and fresh sounding Kosmogonik. Nine driving and atmospheric tracks that vibrate all the way from heavyweight techno to cosmic ambient.

Pletnev takes the reins for the label's third release with four weighty peak time cuts.

Best Effort dives deeper into the archives of Anthony Maher (Sheriff Lindo) and Andrew Armstrong aka Nutcase & Papachubba. Reissued as a 7 inch, these two tracks see the duo blending their diverse range of shared influences, stepping outside of the Drum & Bass and Jungle blueprint that they carved out for themselves for their singular full-length release, ‘Flex’.

Swedish producer Ola Obergman has been at the top of his game for over 20 years now, dropping superb electro on the finest labels. Last year he dropped a fantastic full-length album on Pariter, but now steps up to Infiltrate with a direct dance floor offering. 'Norma Cluster' pairs busy drums and bass with more atmospheric leads before 'Invariant Hyperbola' has a perfectly crisp boom-bap that is run through with synth sequences that get your head amongst the stars. 'Sterile Neutrino' is more raw and ragged with another irresistible rhythm and 'Dragonfly44' closes in a thoughtful fashion.

Undersound marks its 20th release with a collection of tracks from Scatterbaux. While the producer has a few sparse releases online, he displays considerable dexterity on these hardware jams.The A-side heavily features the classic 303 synth and opens with “Ghosts On The Wing”, where the artist is experimenting with an 8 bar acid pattern overlayed with dreamy leads and pads. This is followed by “Acid Squabble”, where two 303 lines bounce off each other exchanging their filter positions conveying a range of feelings and emotions.The B-side follows with “Chamber 27”, an electro jam with 808 drums and a driving 101 bassline. The EP closes with the fast paced “Womp Bucket”, with its evolving drum patterns and emotional overtones, completing a showcase of the producer’s signature acid tinged style.

With her DJing and creative project Automagicalley​ on hiatus, Adi’s 2020 ​has been home to a slower kind of alchemy - the creative processing of two years’ worth of musical sense impressions into the basic fact of a needle on a record.Our dear Walrus tells the story best:“Adi picked me up from El Dorado airport around Christmas 2018. I remember that moment stuck in a hot summer traffic jam, both of us laughing at the rattling from the trunk of her dad’s car - good ears! That evening we played outside under a lemon tree at one of the first Automagicalley events, a wonderful b2b full of curiosity and honesty about art, spirituality and life. Fast forward through some Europe trips - of course including a Basic Moves party - and we arrive at this mini album. The fruit of half a year of friendly exchange between Adi, me and our magical mix engineer Chris ‘Funk’ Ferreira, it reveals Adi’s authentic spirit - always moving, forever creating and endlessly believing.”Adi herself explains the many emotions and headspaces influencing her process: the self-reflective loop of lockdown, the ebb and flow of working alone and with others, the despair of conflict and endings, the dizzy optimism of a Don Cherry album. Now these feeling-frequencies can be heard even louder around the globe.