TeslaSonic
Disaster Recovery

After a successful first release, we are very pleased to present the next one by an icon & legend of house music. The years go by and Brian Cavender aka Seafoam does not stop impressing us with his music, these 4 tracks are accurately what we seek to capture on each release, music with that style that made us fall in love in the late '90s and early new century. The impressive thing here is that without mentioning which of these 4 tracks were made in the '90s. When we asked Brian for music and told him about our ideology he understood us perfectly and sent us a folder named "Old cuts", music made from roughly around 1995 to 2000. When we listened to the tracks we recognized that this was music created in the past but still sounds super fresh, another timeless gem for the ufo series catalog.

Second Ballet Mechanique re-issue from the Eevo Lute archives. Originally released in 1997, it was his second appearance on the legendary Eevo Lute imprint. The Borrenbergs 12 EP II marks Jeroen Borrenbergs return with three jams of 90s feeling electro and half-stepping techno that easily passed the test of time. First track 'Where's The DJ (Pissbreak Mix)' counts over 13 minutes of gritty acid electro, making a halfway transformation into a moody two-step mover. The perfect two-in-one track gives you all the time to go for a toilet break while still being in the mix ;). On the b-side the emotive side of Borrenbergs returns to the surface, with 'Vinyl Voyage' being a spooky bleep jam and 'Diamond Cut' presenting his trademark bassline energizers. Fully re-mastered 2021 edition.

Birmingham's Ed Hodge (1/2 of Mother of Pearls) is up next on Gestalt Records with an infectious 4-tracker spanning surging tech, heady minimal and cosmic prog, for the mind, body and soul.

The idea for Suemori's new alias arose in conversation with Osàre! Editions label boss, Elena Colombi. An inheritance from his grandfather, the name sets the tone of the album that synthesises traditional Japanese instruments into an electronic format. Dub and drone’s eerie resonance collides with staccato electro and fizzling acid on ‘Yakkosan.’ Driven by a meditative beat, flutes and choral voices glide through 'Senpai Kouhai' while ‘Hankumoi’ shudders with lucid synth. The cultural iconography of Japan emerges from this dark, textual landscape, haunted both by the ghosts of the past and spectral sound of the future.

4 more Irish producers go incognito on a tech'ouse/breaks/bass/funky tip for volume 2 of our on-going COVID-19 Pandemic Unemployment Payment (PUP) series.

The latest drop from Low End Activist finds him teaming up with East London’s Razor for a blistering, mutant grime throwdown. Razor has been coming up for some time now, and the clue is in his name. Staggering, swaggering, diamond-sharp lines bending and flexing over LEA’s 10-tonne beat. Stepping on from past work with the likes of Filthy Gears and Trooh Hippi, this is as clear a statement of Razor’s skills as you need to hear. His versatility reaches beyond purist grime to become something more malleable – the perfect fit for the grey area of bassbin pressure LEA occupies.