PTDD
Sizipin EP

DJ Stingray 313's Aqua Team series returns to Micron Audio. Originally released as a two-part series on the ever-innovative WeMe, the records quickly became collector's items. 15 years later, Aqua Team is now back in full force, reimagined as a triple vinyl album of underwater sonic explorations, fully remastered to meet modern cyborg standards. "Serotonin" starts the series off in true DJ Stingray style - pounding drums and 808 bass kicks, airy yet striking arpeggios and haunting vocal loops throughout. "Straight Up Cyborg" is a dystopian journey through cybernetic blips, bleeps and static and progressive build that truly bring the track to life. An aquatic alien bassline, sonar-like leads and hovering snare move swiftly in "Star Chart"; "Silicon Romance" and "Counter Surveillance" are modish tracks instantly recognizable as DJ Stingray 313's unique Detroit sound. "You have a destiny, and now is your time to fulfill it" says the mantra-like sample in "Potential", an entrancing synth loop sure to send listeners and dancefloors deep diving into euphoria. Pounding drums, floor-shaking low-end, running percussion and atonal, ominous samples theme the nefarious tracks "Binary Coven", "NWO", "LR001" and "Mindless", footnoting much darker undertakings in DJ Stingray 313's Aqua Team excursion. Closing out the Aqua Team saga is the strongly-titled "It's All Connected". Thick drums, glistening arpeggios and ethereal strings shine brightly across a wide stereo plane, creating a thundering wall of sound. Aqua Team truly showcases the diverse facets of DJ Stingray 313's signature production, as vast and evolving as the seafloor itself. - Jay Remy

Anthony Linell puts a steely force at the foreground of his latest EP, Sheltering Skies. Blunt force tension builds, layer upon layer, as an anatomy of mechanistic torsion is worked in across an opening pair of tracks. Linell holds out the respite and oxygen for the EP's closer, undercut by aching feedback that just threatens to go again.

Clut Communication is back with the fourth release and this time we have one of the main characters of the label, Odracir.We have already “tasted” his music in previous releases but now Odracir marks his solo debut EP “Black Bullet” with four energetic cuts, influenced by house and electro sounds from the 90’s with spacey atmospheres and analog basslines.

Following a stellar run of releases and contributions from the likes of N-GYNN, LVCA, Thoma Bulwer, Voigtmann, Dawl & Desert Sound Colony, the transcontinental Superlux imprint announce their 8th edition by way of Paul Blackford’s ‘Weekend Warrior’ EP. There was a degree of serendipity in the genesis story of the ‘Weekend Warrior’ EP. When label head Mike Gill’s wife Ines posted a video of him playing a Blackford track from deep in the crates, it quickly found its way to Paul via happenstance and the way of the web. Upon Paul sharing his entire back catalog as a token of appreciation for the support, the conversation started moving towards a contribution to the label. Following a trawl through Paul’s extensive library of electro WIPs both new & old, four were selected for a mixdown in Thoma Bulwer’s studio. The result is the ‘Weekend Warrior’ EP. The release speaks to the talent and versatility of Paul Blackford as a producer. The EP employs elements of classic Detroit electro & Drexciyan soundscapes with facets of modern house fit for an afternoon at Houghton. A truly diverse release suited to many moods and record bags.

New Tempo Records sublabel; TempOzone releases Brighton based producer Etch; who dives deep into the underworld of Breakbeat / Acid-Techno science with these five rugged 'n raw tracks. Etch is the most inventive break-experimentalist in operation right now. Cutting breaks is his modus operandi. This beautiful crafted crystal clear vinyl 12" comes in a new designed Tempo Records high quality "Kraft" outer sleeve and a beautiful coloured innersleeve. All tracks mastered by Stuart Hawkes of Metropolis Mastering, London.

Over the past year or so I have watched as the releases on Holding Hands got more and more intense. Don’t get me wrong, I love it. Intense and straight to the face was always the plan for the label. At the same time I do have slightly more varied taste and I had been getting sent a decent amount of incredible music that didn’t quite fit on the original outlet. My first love when it comes to electronic music is dark, eyes down, bass heavy and so it seemed like now was the perfect time to create a label with a slightly deeper angle to accommodate this sort of thing.