Teakup
Signal 23

Freivogel / Sinclaire with their debut Untitled consisting of three live recordings made using only a concert flute and an Octatrack M1. The recordings are live taken from improvised sessions and have been left unedited. Shifting between playful and austere, the simple goal for these sessions was honest improvisation; comfortable in both its limits and potentials. Placing classical instrument performance and extended playing techniques alongside heavy sonic processing and cavernous acoustics, they are in some ways uninfluenced by genre, governed only by a drive to find moments of clarity amidst chaos. Recorded in single takes using a simplified setup of the flute - played into a microphone and wired through an Octatrack - every sound heard in the recordings comes in one way or another from the flute as a single sound source, manipulated and looped on the fly with additional live improvisation over the top. The result is a timeless capsule of heady drones, offbeat electronics, and mischievous flutes, captured during a time when the world stood still. Scuzzy at times, glistening at others, and ever-optimistic in the pursuit of something new. Adam Sinclaire is a flautist who has worked with artists such as Billy Bultheel and Ziúr, recorded for labels including PAN and Purple Tape Pedigree, and performed for institutions including KW Institute for Contemporary Art, Schinkel Pavillon, and Martin-Gropius-Bau. His practice focuses on using extended playing techniques to explore the limits of the C flute. Marco Freivogel is a producer and composer who has released an extensive discography on labels including Mannequin Records and Veyl, and collaborated with artists including dBridge, Mare Nero and Mathew Jonson, remixing artists as diverse as Hercules & Love Affair, Shackleton and Yappa. His Prequel Tapes project sits between utopian and claustrophobic, tracing harsh industrial atmospheres and levitational ambient from a lifelong obsession with sonic extremes. Marco currently works on compositions for film and television, alongside his own releases and collaborations. The EP will be released on 14 February 2025 as limited vinyl and digital via Midnight Shift. Art direction by Mauro Ventura.All record profits from this release will go to 3ezwa.de, providing financial and legal support to those facing repression for their commitment to the Palestinian cause.

Balance is restored – melody intact – with three tracks of stark machine work from Jump Source. Robust stabs, polyrhythmic confusion, tearjerking pads; the two laid it all down, with some aid from their confidant Sabola on “Tonearm Extender”.

Arpanet is BinarySound's newest project. A new baby born of the past, built on reissues and unreleased tracks for tomorrow's parties.The first EP features our Hossegor based friend DJ Speep and his brother Fab, bringing back to life their timeless Sensitive EP.

Music as the main vibrationthe world shapes through its continuous flow, able to lead the human mind,who perceives its manifestationthrough its physical properties,into a deep state of trance,enabling a connection to the soul,who experiences space-timealongside this sound flow,to transmute itin the image of itself.

A new player has entered the game. The German born Miles delivers the next 12” in the Squid Recordings series, a deliciously curated palette of club music programmed for the Euro-mind and beyond. The five tracks, all bubbling though various stages of analog circuitry, are a sonic sampler in the young producers archives. From Aside opener “Cruel Carbo’s” twisted techy drumwork, to the freaked out breaks sprinkled throughout “Are You Ready?”, SR003 is as serious as it gets. No filler all killer.Distributed by One Eye Witness (Netherlands)