Various
Lutzifer IV

Label boss Nicolas Lutz teaming up with Tunik. Superb remix by Barnt included.

Dear listener,On behalf of re:discovery records, it is with great excitement that we announce the release of 'Ambient7 - Excepts from 1995-2000' compilation. Ambient7 was a threesome out of Japan that included Chica Asamoto, Masayuki Momo and Shuichi Ikebuchi. Chica Asamoto, an accomplished saxophone player while Masayuki Momo and Shuichi Ikebuchi both talented synthesizer players and producers in their own right. Together, they released 3 full albums during a 6 year span from 1995-2000. Ambient7's sound was a blend of chill out styles including ambient, techno, balearic house and everything inbetween. A unique and heartfelt far east version of chill out music going on at the time like what you would have heard on Waveform Records, Silent, Quango and many beloved other labels. While it was hard to pick out just one EP's worth of tracks from 3 full length cd's, we felt these that were chosen is a great collection and examples to fit the vinylmedium. Also, that this record could be equally appreciated in the hands of chill out aficionado's, music collectors or brave and ecclectic DJ's. Those 3 customer bases are always on our minds to make happy here at re:discovery records. The track 'Escape' covers most of the A-side. A soft ambient techno track with a touch of dub that is sure to sit along the greats of genre and the time. Surrounding 'Escape', are two short but worthy examples of the Ambient7 sound. First, is the unique tribal attention getter that is 'Prologue' then ending with the beautiful balearic saxophone serenade that is 'Epilogue'. The b-side might throw you for a loop after hearing the first side. 'Deep Sea' comes in just under 11 minutes that has to be heard to understand what is harder to explain. The balancing of mood is particularly interesting. How something can be so hauntingly relaxing yet can evolve into something so ominous and mysterious had to make this EP collection. We wont say much more. Check it out and make up your own mind. Turn up the volume, close your eyes and enjoy the trip! Lastly, is the balaeric ambient house lullaby that is 'Orange Sunshine'. Some who have heard this track call it a reason to buy the record alone for not even hearing the other tracks on this EP. A standout and a perfect set opener or closer, this is sure to be the re:discovery track for the summer for 2022.re:discovery records wants to thank the Ambient7 members: Chica Asamoto, Masayuki Momo & Shuichi Ikebuchi for being great to work with and allowing us to highlight some of their amazing music. It is our hope that these will influence them to make future music together after a 20 year absence and that others will seek out the rest of their works from this period. It is also our hope that these bring you as much happiness as they have brought us and that this release gives them new life to a new audience and a special fond memory to those that knew them. Dare to Dream!Ambient7 - Excepts From 1995-2000

Mike Parker with a second volume of his Devil's Curators series on Donato Dozzy and Neel's Spazio Disponibile imprint. Another pack of powerful and spacious techno hypnotism. Touching a wide range of tempo's and moods while staying in close touch with the original Mike Parker aesthetics.

When was the last time you were Hearing Colours? Long term music companions, and more importantly close friends, Felipe Valenzuela and Argenis Brito unite once more for their collaboration project - FAER, showcasing their timeless chemistry. This time the Berlin based duo have created an innovative four track EP, “The Fraud Era” and it is ready to see the light of day on the blossoming Hearing Colours label which is co-founded by Felipe himself, and Miami based Max Kraushaar. Opener “Space Cuts” is a serious and gritty number, with real tenacity, hypnotic synths melt into the snappy and crisp broken drums. Squelchy acid bass leads you down a path of curiosity in “Trick Or Trick”, before being met with an intricate groove that enables you to release the tension. Two dancefloor dynamic tracks, both in their own right. The B side showcases the more eclectic and complex side to the pair's productions. Mysterious tones and atmospheres continuously evolve in “Inmersion”, creating an otherworldly yet infectious mood. Mechanical whirrs and bleeps maneuver their way around a glitchy body in the final track, “Fraud Era”. Trippy and eccentric energy for the after party hours, intelligently arranged by two masters of their craft. Since their well received “Internal Jokes And Other Matters'' EP on Raum Musik... tastemakers have been patiently waiting for the next FAER encounter, and this will undoubtedly wroth the wait.

Junki Inoue presents the second release on his recently founded label SAISEI from prolific Japanese producer Takuya Sugimoto under his COLOGNe alias. Deep Talk EP features 6 tracks originally released on Japanese CD only label Viola in 1999 and is a snapshot of the elevated warped-techno meets IDM productions Sugimoto is so respected for. Famous for releasing under many synonyms including COLOGNe, Web and Sammansa it was his EVA EP - the first release on FatCat Records in 1996 that stands out in his recording history. The tracks were in fact licenced from Syzygy Records in Japan, which was one of the main Japanese labels including Viola that homed his work during the 90s era he was most productive in. More recently German label Acido released The Sound There, a mini album of previously unreleased Web material recorded between 1994 and 1995 which was released last year in 2020. Deep Talk EP presents 6 tracks of intelligent and elevated techno, which show the balanced and intricate approach Sugimoto applies to his output. It has all the warmth and positive essence of the 90s era of electronic music - combining deep and beautiful sounds with headsy and intricate constructions. This is the first time this music has been made available on the vinyl format. SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.