Open today: 00:00 - 00:00

Gropina
Microcosmo

Microcosmo
MicrocosmoMicrocosmo

Artists

Gropina

Catno

PSGG003

Formats

1x Vinyl 12" 45 RPM EP

Country

Italy

Release date

Sep 20, 2021

After his debut "Mare Aperto", Amsterdam-based Gropina returns to the light with a four tracks 12” EP out on Paesaggi Records.

“Microcosmo” is a synth melody with a slow-rolling Roland 606 drum-machine rhythm, Quena flute by Hamburg saxophonist Linus Kleinlosen, ambient pads, and natural field recordings. The atmosphere of the song brings you into a dewdrop in a blade of grass in the early morning hours right after the twilight of a sunny day. Following we fade into a dreamy dancefloor jam called “Awumbuk” where bittersweet chords are backed with a Yamaha RX5 rhythm, a groovy FM baseline from a Yamaha DX100, and Roland D50 Lush pads. On the flip, we can find an adventurous downtempo break jam called “Natura Naturans” marked by trance-y elements, a solid bassline, and an evocative flute melody. The journey ends with “Omen” which is a dark slow jam characterized by a live processed drum machine groove with a hint of wave influence and a metaphysical vibe to it.

Side B and the riso-printed insert depict the head of the bifid siren from the Romanesque church of S.Pietro in Gropina. In Christian symbology, the fish-tailed siren represents the seductive power of the senses and illusion, which distracts man from the spiritual realm by attracting him to ephemeral pleasures. The siren, like every human-animal hybrid creature, is the duality of intellect-primordial instincts and the conflict between the double nature of man.

Microcosmo has been conceived and recorded between 2018 and 2020.

The release includes a riso-printed insert and a sticker.
The release is hand-stamped.
Mastered at MaSpaventi Studio.
Instruments used:
Roland 606 - Yamaha RX5 - Kawai K4 - Yamaha DX100 - Roland D50

Media: Mi
Sleeve: M

13.99€*

Sold out

*Taxes included, shipping price excluded

A1

Microcosmo

5:02

A2

Awumbuk

5:28

B1

Natura Naturans

5:47

B2

Omen

7:00

Other items you may like:

Arsonist Recorder lands on 20/20 Vision with his debut EP ‘Geist’. Following outings on Specimen Records, Diffuse Reality, Bass Agenda and his own imprint ZwaarteKracht. The EP sees Arsonist Recorder continue his exploration into groovy dark-matter electro- beats and abstract, abrasive sound-design. The title track ‘Geist’ kicks things off with deep Drexciyan bass and disorientating synth, an all out electro assault on the senses that sets the pace for the four track EP. ‘YvY’ follows this up like a 90% proof chaser, committing you to the land of no return as perfectly crafted drum patterns lay down heavy robotic funk with driving bass lines complimented by a peppering dark synth melodies.On the flip side ‘Rauch’ switches things up with rapid fire pad work, serving up fast paced breaks in a dose of hyper speed electro grooves. Wrapping things up E-606 forges an evocative robotic war cry, firing on all cylinders with restlessness club-rocking rhythms.With previous releases catching the attention of the late Andrew Weatherall as well as Detroit’s electro Don, DJ Stingray, Arsonist Recorder is definitely not one to sleep on!
!Karnak Calling! !الكرنك يتحدث!We are thrilled to announce the first KOA release. Karnak On Acid record label was born after a mystical trip to Luxor. In this first EP, Ramez, an up and coming Egyptian talent has produced 4 groovy and trippy tracks. With its unique oriental electronic touch, this record will transport you on a journey to the magical Karnak Temple.
On the back of V- Necks re issue Auto and the Lost 1990s Recordings one half of the band V Neck Mark Churcher takes time out from from his Chicago Bee project to deliver his first full length album on Emote. He teams up with the cult Brighton based experimental artist Alasdair Willis (The Vitamin B 12) who plays saxophone on 3 of the 11 tracks on the album. The album has all the hallmarks of an Emote record and more. Likely to be listed as down tempo / abstract ambient and blending many different styles together. If you are in tune with free jazz and abstract electronic tribal music you should find this good home spooky listening . Supported by Chloe Alice Frieda of Alien Jams and Damo B of the Outer Limits Radio Show
Generative music seems to imply a systems approach to music, or a system that once created can utilise randomness in a creative way. The benevolence of nature’s creativity belies this musical term, and can flip the word ‘generative’ to mean to involve constantly flowing creativity with purpose. In Europe there was a time in the Pagan Renaissance when architecture would mirror nature’s generative quality. Sculptures and columns were to imply animation or movement.That’s where Milan W.’s album comes through in 2021. His music involves the night shadows of Europe’s architecture and its growth. In Bloom personifies itself by showing Antwerp’s influential ‘Night Play’: a term that can relate to many European cities such as Bologna, Vienna, and so on and so on. The leftovers of Renaissance and gothic architecture are everywhere in Europe still; layers of ruins that can generate the impression of simultaneous time periods. Tracks like Spa and Helium Queen reveal and revel in the power of shadow movement that is generated by the night. In Milan W.’s past works, the poignant and simple creative play of dark wave and synth beat music was his vehicle for expression, but now on In Bloom he departs to a touching sidereal impressionism allied with Coil’s instrumental pieces on Horse Rotorvator — an album whose cover portrays the potential powers of the pavilion just as Milan W. is portraying the generative soul and alienation of Europe’s ‘Night Play’. Because of In Bloom we can come to believe that there is a secretive energy in alienation, a playfulness that is alight at Night.
Over the past year or so I have watched as the releases on Holding Hands got more and more intense. Don’t get me wrong, I love it. Intense and straight to the face was always the plan for the label. At the same time I do have slightly more varied taste and I had been getting sent a decent amount of incredible music that didn’t quite fit on the original outlet. My first love when it comes to electronic music is dark, eyes down, bass heavy and so it seemed like now was the perfect time to create a label with a slightly deeper angle to accommodate this sort of thing.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.