Track & Trace
WRONG EP

Jochem Peteri comes drifting back into earshot with some new NWAQ tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the NWAQ soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. NWAQ has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

A label that has pathed careers for the likes of Nightwave, Hodge, Special Request/Paul Woolford and many more, DEXT Recordings announce 'Blizzard'; a fresh 12" from the enigmatic Russian techno-head, Dawn Razor.Following releases on A R T S, Scuffed and Holding Hands to name but a few, he is best known for both his live performances and DJ sets of broken beat techno, electro, mutated bass, post-trance and everything in between.On remix duties enters Desert Sound Colony (Holding Hands/Dr Banana), portraying his own inimitable two-step spin on 'Blizzard'. Utilising the pads to create a unique air that sits around a playful and warm bassline, the choice of remixer truly sits perfectly with the overall palate of the record.

Crewman Mbius launches three originals into Rubisco’s orbit, accompanied by cosmologist Harry Wills

As promised, the collective mind of SIKU comes through with a second serving of club-ready fillets, seasoned with a kick and plenty of bass to satisfy your techno appetite. Enjoy another taste of the group’s talent - bred in the streets of Lima, and refined in the clubs of Barcelona. Hop into the techno-trance-tech-house journey.Limited to 300 copies and no repress.

Emerging from the shadows with 2021s ‘Bring Me Sunshine’ album, electro duo Sons of Slough see their debut 12” back in print via Perko’s FELT label. A quiet highlight of turn of the millennium-era British dance music that takes cues from the New York and Detroit schools of thought, ‘Live EP’ is rough, heavy and proves just as effective on the dancefloor two decades later. The Sons played shows with Richie Hawtin, Two Lone Swordsmen, Dave Clarke, The Chemical Brothers and more, often performing (as the title might suggest) in a live context. Indeed, the A1 cut ‘Snares and Temptations’ was a regular fixture, reportedly taking the roof off the place at the first Dedbeat Weekender as well as some of the worlds ‘less congenial establishments’. It's a sharp, low-end laden assault on the senses making great use of a distorted vocal sample and Drexciyan-like drum programming. The other three cuts are equally as powerful, vocoders and 'squelchy messes of clicks and whirrs' aplenty. The second instalment of FELT, 'Live EP' hints at the stylistic breadth yet to come via Perko's newly christened aural lovechild.

Foul Play is definitely a suitable title for this EP as Kessler has brought the big guns to the tea party for this one. Really getting to the heart of what Holding Hands is all about I love how straight up in the face these bangers are.Expect a lot of gun fingers and shouts of “this one’s a stinky wiiiiiiinky” when these get dropped in the club. That’s probably the best way of describing the vibe here...