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After The Moon

Evasione Digitale is proud to present its third release, a collection of unreleased tracks from 1999, produced by the elusive Italian producer J.P. Energy.

Dominic Glynn together with Justin Mackay are both very respected producers out of the early underground Techno and Progressive London scene, concealed behind various alias as single artists and as a duo, releasing music for some of the most seminal labels such as Infonet and Rising High and working part-time providing BBC television's Doctor Who series with incidental music. In 1996 they started their own label No Bones, a platform based on creative freedom and quality outputs attracted rising artists, and some bigger names as well, from the cream of a global underground electronica, covering a large range of styles including breakbeat, drum & bass and future funk.

Zeta Reticula makes his Censor debut with Star’s Wobble EP. The A side starts with the EP title track with rushing leads, arps and a distinct energy that ZR is known for, all held together with electronic clangs and atmospheres adding tension to the mix.Next is Planet’s surface which has a murkier and tougher sound, jumping between broken beats and 4/4 electro territory in sections that creates a twisting, turning wormhole straight to the galaxy from which it was made. Unaided Eye is the final track of the A with a deeper and more drum focused mix intertwined with tripped out pads and fx.On the flip, Sync 24 & Alex Jann take care of the title track remix adding a rushing bass, claustrophobic edits, builds and impacts that the pair are known for respectively. Francois Dillinger brings the B-Side to a close with a sparse stripped back electro sound adding almost a down-tempo alternative to Zeta Reticula’s original.This is Censor’s 5th vinyl release following on from London Modular Alliance, Assembler Code and Alex Jann.Mastered by Alden TyrellAll tracks Uroš UmekRemix P by Sync 24 & Alex Jann (Star’s Wobble Remix) // Francois Dillinger (Planet’s Surface Remix)

Limited hand stamped copies.. Worldwide Epidemic on Furthur!

The brand new Hyperdrive label kicks off with a mix of the old and the new - some tracks made recently, some that date back to the 90s, all of them top quality. Liquid Earth opens up with the spaced-out synths and electronic house sounds of '1_HP_D' then Art Of The State gets a little more tranced out and cosmic on '2_HP_D'. Dan Piu's '3_HP_D' is a tech house exploration with wispy sci-fi leads and a playful rhythm then Luis Malon & Seb G combine for the turbo-charged tech of '4_HP_D.' The legendary Freddy Fresh closes down with a high-speed sound on '5_HP_D.' Says the label, "Hyperdrive is dedicated to preserving the rich history of electronic music," and on this evidence, it will do so expertly.

Hearing Colours is pleased to present their fifth EP, engineered by the master heads behind Melcure, the iconic duo, Felipe Valenzuela and Dani Casarano. These guys return with, "Under My Skin", showing us a touch of punk, techno and early uk tech house all mixed into one main idea. This hybrid saw the light after one of their latest, but few, studio interactions. The 3 cuts were designed on the same day and composed mostly with a MPC, an unusual system in their classic setup. This approach has given their sound a new twist which is presented uniquely on this EP.