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Figures In Distortion
Figures In Distortion

Figures In Distortion
Figures In DistortionFigures In DistortionFigures In DistortionFigures In Distortion

Catno

33mob01

Formats

1x Vinyl 12"

Country

Austria

Release date

Apr 30, 2023

Long overdue repress of the first one of the Morbid catalog!

Long overdue repress of the first one of the Morbid catalog!

Media: Mi
Sleeve: M

14.5€*

*Taxes included, shipping price excluded

A1

Cosmic Ambulance

A2

Los Cuevas Submarinas

B1

Les Belles

B2

Alien Theory

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Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings. Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name. Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.
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As Frankie Bones eloquently noted, “the five-year run of Plus 8's sub-label Probe sometimes would seem to be putting out better releases than its parent label”. One of those indelible releases was ‘The Arrival’, signed by Casey Tucker under his Variable Frequency Technician moniker. “Cross Section”, the anthem that closed the B-Side of the original 1995 release, is getting now a re-release on Certain Music with two remixes from Fit Siegel and Marc Piñol plus a proper retake from Tucker himself.It’s hard to tell what’s the most interesting feature of this singular track. Above all is a sharp and defining concoction of what listening to underground techno in the 90s was: warm and blissful chords over a metallic rhythm section, intrincate hi-hats, syrupy synths and a rubber-like bassline —you name it, the track covered it. Tucker’s 2021 remix keeps the vibe pretty much where it originally was, but now building things wider, tremendously three-dimensional and diaphanous. More than a remix, it’s a way to appreciate Tucker’s genuine evolution as an artist over the last three decades.On the flip side, Fit Siegel signs an acidic and jazzy rendition full of twists and turns: keeping the groove in check while showing an infinite array of layers and melodic ingredients. Marc Piñol does pretty much the opposite while keeping the acid intention, building a ponderous bass-driven track with vocal delays, repetitive percussions and periodic glimpses of Tucker’s exquisite synths.
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