Adam Pits Roza Terenzi Ciel Seb Wildblood
International Wafter: The Remixes

Head Front Panel signs on for the second 'Repetitive Rhythm Research' with his 'Phonetic' EP. Relentless, heady, analogue techno. Rooted firmly in the 90's dark basements, updated for the 2020's!

Nathan Micay is pleased to present the next re-issue on Eternal Schvitz: Mouvement Perpetuel - Sexuel Mouvement, three incredible dance cuts written by Jerome ‘Pacman’ Elia. Originally released on Obsession Music in 1997, the A-side went on to become a cult favourite after appearing on Sasha & Digweed’s North Exposure Expeditions mix in 1999. Since then, copies of the original 12-inch record have sold for astronomical sums. Now, over 20 years later, this gem is lovingly restored and available to a new generation of DJ’s and music lovers.

Wound Without A Tear is a compilation of “Australian” Ambient and Experimental Music; an area so often overlooked and misunderstood because it does not easily fall into historical context. However, the fifteen years (1993-2008) the collection cites–a period of early 90s post-rave ethereality defined by pleasure-centred spaces (chill-out rooms) and the personal computer’s emergence as a popular tool for file-sharing and secondary-living in the 00s–is befitting of closer examination.The recordings were sourced from artists, labels, corrupted disk drives, CD-Rs, the WWW and archives of Melbourne’s 3RRR community radio station.During the 1990s, as new technologies emerged and mass digital culture flourished, artists explored the emergent possibilities of the Internet with a utopian fervour, viewing the web and its plethora of images and information as a site of boundless potential. In the 2000s, file sharing connected people around the world directly to one another, and this incorporation of online experience into material objects, meant there was an increasingly porous border between the online and offline worlds–if there remained a border, at all.What is remarkable from this collection is that so many people, working (mostly) on their own came up with such remarkably similar ideas. In most cases these similarities can be related to the inherent qualities of the medium, though often any distinction is decidedly blurred at the edges.The compilation seeks to make the works of these various artists available as a means of “demystification”. No specific destination is intended upon. Perhaps by the time you have reached the end, you will have forgotten where you began.Endnotes:How do you pronounce the title? Wound /waʊnd/ Without /wɪðˈaʊt/A /eɪ/ Tear /teə(r)/1. Wound. Furl. Twist. Wrap. Surround. To Move Back orForwards to a Desired Point.2. Tear. Interruption. Disruption. Imperfection. Rupture.3. Two words evoke a chain of events.

Driss Bennis is back in stores with his OCB project for another future classic. This massive 8 tracker pushes all boundaries of techno, break-beat and electro. A-side strictly for nervous DJs, B-side for sensitive souls! Tested and Approved. Catch the train.

An album evolving around disruptive and chaotic life events. A testament to putting the pieces back together through love and support from friends and loved ones.All tracks are built on two improvised live sessions recorded on a Roland Juno-60, Moog Sub 37, Roland XP 30 by Sofie Birch and Johan Carøe in Copenhagen in 2019.Edited and reworked to 11 tracks during residency at Andersabo in Sweden the summer of 2020 with new recordings of acoustic elements.