Feral
Absolute Zero EP

For the first release of the 10” series, we welcome Design Default to the Dome with an EP that effortlessly orbits a beautiful yet precisely constructed world. The release encapsulates the atmosphere of his previous ambient works with the energy of his left of centre club releases demonstrating the depth of output this Parisian producer is capable of.On the A-side, we dip into his distinctive approach to sound design with glistening melodies, flourishing through an array dreamy soundscapes on Eta Aquariids. We welcome back PD favourite Sputnik One whos rework ups the energy levels with a flip certified to move the floor while maintaining the euphoria and bliss of the original.On the B, we are again transported to unexplored worlds on the uplifting journey of Kagura where fragmented particles collide on the backdrop of uplifting otherworldly atmospheres. Takama-ga-hara reflects the lofty sacred world from which the name implies - weaving through a haze of influences giving us something beautiful, engaging and unique and following on from a tough couple of years, a positive look into the future as we move towards more freedom, connection and positivity.

The music of Jack Bags comes from multiple contaminations and a deep love for vintage analog sounds. Panorama Groove is a journey through those sounds and a personal vision of those genres that are constantly inspiring.

Oak Corridor is the second full-length album from Newcastle, Australian duo Troth (Amelia Besseny & Cooper Bowman). It follows 2020’s warmly received album, Flaws In The Glass (Altered States Tapes) and 2021’s Small Movements In Radiance mini-album (Not Not Fun). While the same themes and intentions remain, this time Troth channel their ambient experiments into an environ located somewhere closer to minimal-wave and synth-pop.While Oak Corridor is their most ‘song-based’ album to date, it continues the respectful treatment of natural themes found in their previous releases, further tying in elements of balance, truth, justice, humility, strains of mysticism from varied origins and an opposition to the encroachment of ill-advised development surrounding them in Newcastle (and Australia more broadly). The album is a truly collaborative affair and offers something of a sound-diary of the two’s relationship.

Italian composer Gadi Sassoon debuts on A Strangely Isolated Place with an experimental exploration of impossible physics; an intricate soundtrack based on newly created sounds and abstract atmospheres.In 2015 Gadi was invited to Edinburgh by The NESS Project to check out their groundbreaking sound synthesis work. With the help of a supercomputer, the NESS group had created new digital systems capable of creating sounds so complex, rich, and realistic they were indistinguishable from acoustic instruments. Better yet, the code could be hacked to create completely imaginary sonic worlds with bizarre physical properties.Gadi fell in love with this idea and became a resident composer at NESS for the following years, collaborating with the researchers to create impossible instruments: mile-long trumpets blown by dragon fire in Black Hole Fanfare, needle fingers brushing eternally vibrating strings in Pi (π), giant resonating lattices of bound masses and springs in the Moto Perpetuo suite and Collision Suite, marbles sliding on thousand-string fretboards in Young’s Modulus, morphing bouncing objects in Chaos & Order, an orchestra of giant bowed basses in Life On A Tidally Locked Planet. Multiverse was designed and created by bending the laws of physics in subtle ways, effectively creating acoustic simulations from parallel universes. Gadi combined the NESS sessions with analog synths and live instruments in his Milan studio, with the intent of creating a space for the listener to get lost in - blurring the lines between organic and synthetic, loud and quiet, the abstract and the familiar. Created and composed on an immersive 8-speaker surround-sound setup, Gadi has showcased multichannel and audiovisual performances to audiences across the world for the past year in preparation for the full physical release on A Strangely Isolated Place.

Last Magpie launches his new label Sounds Good Sound with the help from good friend youandewan - Kicking off with a brand new deep-house scorcher "Looking Through Windows” - showcasing the melodic house grooves he has showcased for labels such as Hypercolour, Me Me Me and 20/20 Vision. On the flip Youandewan remixes Looking Though Windows into a super deep house extended player with all eyes on the dance floor.

The genesis of the tracks on the Defiance LP [HOROEX38] came directly in the aftermath of the Space Echo EP by ASC for Samurai Red Seal. At the time, James made remixes of some of the tracks from this EP in an updated style for use on his last European tour. Two of these remixes make up the Defiance: Prelude release. Space Echo gets rebuilt into a more sinuous, ethereal soundscape, and Reveal is also refined into a graceful flotation device with sprinkles of air from the ether.