Dynarec
Slipstream EP

Joining us for the third release of Arpanet, Infinity Plus One, veteran producer coming to us from the London underworld. His unique sound oscillates between a twisted, distorted techno with hypnotic vocals and breaky electro. Truly timeless sounds that we dare you to recognize. Two of the tracks are repressed 2005, but two others are unreleased from his 1999 catalog and the other was cooked up just a few months ago in 2022.

Dominic Glynn together with Justin Mackay are both very respected producers out of the early underground Techno and Progressive London scene, concealed behind various alias as single artists and as a duo, releasing music for some of the most seminal labels such as Infonet and Rising High and working part-time providing BBC television's Doctor Who series with incidental music. In 1996 they started their own label No Bones, a platform based on creative freedom and quality outputs attracted rising artists, and some bigger names as well, from the cream of a global underground electronica, covering a large range of styles including breakbeat, drum & bass and future funk.

Die Orakel presents three tripped out leftfield excursions by Jaures

Pub is back with a 2020 remaster of the classic 'Summer' and a brand new track titled 'Fragile Root'Summer was originally released in 2000 on the Vertical Form label and has been out of print ever since. It even made it into Fact Mag's Top 20 Dub Techno tracks of all time

Nowadays family member Love Letters delivers delivers a beautiful 5 track release that meanders effortlessly from peak time banger to delicate experimental passages to off kilter poly rhythm. TIP!

Over the past year or so I have watched as the releases on Holding Hands got more and more intense. Don’t get me wrong, I love it. Intense and straight to the face was always the plan for the label. At the same time I do have slightly more varied taste and I had been getting sent a decent amount of incredible music that didn’t quite fit on the original outlet. My first love when it comes to electronic music is dark, eyes down, bass heavy and so it seemed like now was the perfect time to create a label with a slightly deeper angle to accommodate this sort of thing.