Josh Baker
Energy

After a successful first release, we are very pleased to present the next one by an icon & legend of house music. The years go by and Brian Cavender aka Seafoam does not stop impressing us with his music, these 4 tracks are accurately what we seek to capture on each release, music with that style that made us fall in love in the late '90s and early new century. The impressive thing here is that without mentioning which of these 4 tracks were made in the '90s. When we asked Brian for music and told him about our ideology he understood us perfectly and sent us a folder named "Old cuts", music made from roughly around 1995 to 2000. When we listened to the tracks we recognized that this was music created in the past but still sounds super fresh, another timeless gem for the ufo series catalog.

XY Dosing©(UD)is a maximalist genre of electronic music that refers to sound productions that make for a radical succession to the minimalist genre, regardless of style and aesthetic practice though mainly associated with the field of sound arts. More precisely, it designates that which embraces heterogeneity and allows for complex systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material. However, UD relies more on singular experimentation rather than the addition of musical characteristics attached to specific genres.Subsequently, UXY Dosing© gives birth to MDM(Maximal Dance Music)which, beyond a sole matter of genre, remains linked to the high consumption of dextrose associated with milk, which de facto shares the same acronym as MDM(Maximal Dextrose & Milk).Read : Dextrose, energiser or poison?UXY Dosing capsule pack notice: The packaging attached to the front cover includes three ready-to-consume UXY dosing capsules, which give you access to the last three songs of the album. If this packaging is missing, you unfortunately get an incomplete dose of the album.

The idea for Suemori's new alias arose in conversation with Osàre! Editions label boss, Elena Colombi. An inheritance from his grandfather, the name sets the tone of the album that synthesises traditional Japanese instruments into an electronic format. Dub and drone’s eerie resonance collides with staccato electro and fizzling acid on ‘Yakkosan.’ Driven by a meditative beat, flutes and choral voices glide through 'Senpai Kouhai' while ‘Hankumoi’ shudders with lucid synth. The cultural iconography of Japan emerges from this dark, textual landscape, haunted both by the ghosts of the past and spectral sound of the future.

A new label, run by an old head, Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’. Known to many who inhabit the realms of underground House and Techno, the imprint sprang to life at the tail end of 2020 from his hugely popular Facebook community under the same banner.Born out of a lifelong affair with the many shades of deep electronic rhythms, coupled with a thirst for collecting records since 1988, Paul’s mission is all about sharing and releasing new music for the dance floor, front room or even just your headphones. Rather than staying hung up on the past, his reputation for digging into the annals Acid, Electro, Techno, Deep House alongside the odd slice of Downtempo precedes him, as he readies the third WGD volume for release.Bubbling up with another 4 track EP comprised of cuts from equally brilliant artists, the opening shots are fired on Side A with the unmistakeable sounds of Moy “Ouroboros”. A finely crafted slice of robotic acid funk entices you into the wilds and waves of moody 303 action as machines collide with precision accuracy. Bringing you back to a calmer vision and seas of tranquilty, Rekab aka James Baker’s “Summer Dreams” demonstrates just how blissful ambience and slowing the pace in these testing times can soothe the soul. Leading Side B, fans of Chi-town grooves will not be disappointed with Garrett David’s “Cruisin Through”. A Smart Bar resident and Gramaphone Records employee, he’s no stranger to sumptuous jackin’ edged house jams packed full of bouncing beats. Blending an irresistible rump funking groove to synth-led melodics that build and build, the total sum of these parts will not fail to get you out of your seat. Signing off in style, Moody Waters takes us into hypnotic house territory as low slung beatdown vibes meet mysterious atmospheres and vocal fx, emerging from the haze of that 5am smog that all too often glazes your inner mind.

Introducing Cutcross, created to champion the melting pot of bass-centric sounds teetering around 140 bpm. Heading up the concept is Sicaria Sound, a DJ duo who since their inception set out to explore and expand on the possibilities of these sounds whilst spotlighting underground artists. Cutcross is therefore their next step in supporting the forward-thinking music that they've drawn for when curating sets.For CXT005 we've curated another compilation EP - "With The Sonant" - stitching together a collectively hazy set of tracks yet each with their own vocal deviations. Epoch's long coveted "2-Door Subaru" is the explosive opener, followed by two distinct approaches to trappier terrains via Woven Thorn's "Loveless" and "Try Me" by zns before descending into the dub-diving murky waters of Soukah's "Don't Care".

Here we go again! Obergman is back with another stunning Electro 12". No words necessary, just go with the electric floooow...