Cherrie Bea
Jafar’s 21st w/ Nuron Remix

Another disastrous Poppers attempt at making people feel like dancing, this time featuring a promo release for DJ Tranquilos - a completely unknown "artist", never booked before DJ, virgin territory for bookers. Guaranteed to offer anything but tranquility to the listener. French vocal epic HiNRG pop cover and Soca dancefloor bulldozer on the A side. Heavy percussive acoustic drums with extraterrestrial synths and a sound effects DJ tool on the B side. Mastered for maximum dancefloor impact - only for true Peak Time DJs.

Canadian imprint SEKS TAPES are pleased to present "Kaiser - Language Development". The Italian-born Berlin-based techno architect provides 4 tracks of cerebral and hypnotic floor shaking late night tools for the label's inaugural EP.

Eagerly awaited yet patiently bubbling under the surface, UwU dust bath emerges with its primal offering; a deeply generous and authentic sonic array from low-key prolifics Purelink. Pure, unadulterated aural alchemy. Everything has a perfect place. An evolving trademark of Purelink’s delicate, yet deliberate, chillout ecstasy.

UwU 001 is rooted in the group’s most sincere and early jams; exuding an innocent magic almost impossible to recreate, tranquil effervescence of the highest nature. An immersive sense of bliss exudes from even the initial vibrations of the A side. Each track is thoughtfully paired with a complimenting remix on the B side, preserving and echoing the ethereal essence while adding a personally inspired touch, nurturing fresh existence and perspective.

Three otherworldly originals harmoniously colluding with an intercontinental all-star cast of remixers. xphresh (special guest DJ & Ben Bondy), Low Flung and Nice Girl – each respectfully contributing to the synonymous mutual (& virtual) affiliation, kindredship and vision entrenched in the UwU ethos.

The synergy throughout this entire release reveals an unspoken affinity and divine love language between the label and artists that can translate to how we feel and absorb music, its sound and a subconscious sense of intimacy and connection.

Over the last couple of years, Morph and Bedside of Copenhagen have been engaged in the ambitious and on-going project Lightroom - a delicate exploration of male intimacy as a healing ritual against toxic masculinity. Working with more than fifty people to date, Lightroom has given birth to film, photography and music, and has traveled around the world at festivals and exclusive events, facilitating a continuous room for reflection on the concept and image of man - with the intention of decalcifying our ideas to create movement towards the new.In 2022, Lightroom is giving birth to In the light room - a full-length album by sound artist Enotea that features original music from the 2020 erotic short film Ei Blot Til Lyst by Marco Stoltze, the main piece that initiated the project to begin with. In the light room is released by the independent label InterCourse in collaboration with Morph and Bedside.In the light room creates a euphoric whirling, a spherical and meditative space that is alive and dynamic with the intention to facilitate metaphysical reflection. Pointing fingers back at classic late krautrock albums and forward into an aesthetic roughness of piano and guitar compositions merged with concrete sounds to stir up the sonic image, In the light room doesn’t suggest music so much as an exact art, but as a mysterious, ineffable force, rich in spirit.Enotea says that ”In the light room is about waves and walls, and the waves on walls insisting on freedom.”The album features music originally composed for the experimental porn short Ei Blot Til Lyst directed by Marco Stoltze and produced by Bedside Productions.

Next up on OGE's hand-stamped white series are these four gems from Macedonia

Emerging from the shadows with 2021s ‘Bring Me Sunshine’ album, electro duo Sons of Slough see their debut 12” back in print via Perko’s FELT label. A quiet highlight of turn of the millennium-era British dance music that takes cues from the New York and Detroit schools of thought, ‘Live EP’ is rough, heavy and proves just as effective on the dancefloor two decades later. The Sons played shows with Richie Hawtin, Two Lone Swordsmen, Dave Clarke, The Chemical Brothers and more, often performing (as the title might suggest) in a live context. Indeed, the A1 cut ‘Snares and Temptations’ was a regular fixture, reportedly taking the roof off the place at the first Dedbeat Weekender as well as some of the worlds ‘less congenial establishments’. It's a sharp, low-end laden assault on the senses making great use of a distorted vocal sample and Drexciyan-like drum programming. The other three cuts are equally as powerful, vocoders and 'squelchy messes of clicks and whirrs' aplenty. The second instalment of FELT, 'Live EP' hints at the stylistic breadth yet to come via Perko's newly christened aural lovechild.