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Libertine 19 features the first album from Roman master Gianluca Bertasi AKA Teslasonic, a journey of 10 stunning tracks from pure electro to Italo infused techno and space disco…limited copies!

Delirium 26 by Silver Zone aka Marco Repetto & Stefan Riesen in the rebound.

James K debuts on Incienso with sophomore album Random Girl. What’s gathered at first is a heterogeneous mixture of intimacy and sore, collected between 2014-2018. As if in a cruel playground game, K breaks a tracklist full of complex soundscapes, voice manipulation, and dazzling shoegaze with a self-built noise box, stethoscope throat-voice and a cellphone recording from a fake tropical island on ecstasy. Consequently, Random Girl is a voice against infantilization of girlhood, a decisive refutal of integrity, fighting what can be understood as the death of expression. Take a sip of water before your memory error blinks. Dial to K. Listen to the disfragmented territory and the cast of it she’s making. It might not be what you will have thought tomorrow.

"Previously unreleased, Manchester, 1991. Betonska hits hard with their second release traveling back to an essential period of dance music history. A record blending rave, downtempo, ragga, dancehall, and early hardcore/breakbeat; a crossover that continues to shape and define some of the most innovative sounds of contemporary club culture.Produced by Philip Kirby, with vocals/rap by Martin Merchant (together Two The Hardway). On the A-side Graham Massey (808 State) accompanied them on the synths, and Howard Walmsley played the saxophone on the B1 and B2. All tracks were recorded in ’91 in Phil’s house, where “funnily enough Massey co-wrote ‘Army of Me’ with Björk!”. Find more info about it in the text below.The whole release consists of solely ’91 originals: a deliberate choice to not take it out of context. The A-side serves two versions of ‘Who Said?’, a mysterious midtempo jam with a jumpy acid line, organic yet punchy drums, and a mesmerizing lead synth played by none other than Graham Massey. The instrumental version has a more elusive feel to it, while the Vocal version tops it off with toasting by Manchester’s very own Martin ‘Sugar’ Merchant. Both tracks were pressed on the earlier test pressing from ’91, but have never been released officially before.The flipside boasts two mesmerizing versions of ‘Hot Number’. Driving proto-jungle rhythms and Sugar Merchant’s ragga vocals are fused with secondary vocals by Phil and a saxophone solo by Howard Walmsley to form a seamless and smokey sonic concoction that will get bodies moving. Whilst the B1 surfs on a slick breakbeat rhythm with a deep bassline, the B2 bounces on a 4/4 beat with a pulsing hardcore bassline.To top it off, the B3 and final track in the running order is a deep and dub track. Originally produced in the 90s, but recently finished by Phil, ‘Blossom Street Dub’ has an added synth line and an iconic King Tubby filter which help to enhance a time-warping, headrush effect. This track, alongside the ‘Hot Number (Alternative Version)’ B1 tune, will both be pressed for the very first time on vinyl, having been absent from the original ’91 test pressing. "ARTWORK BY SUSANNE JANSSEN

After its acclaimed first release, the mysterious entity Low Khey is back on Comic Sans Records with a killer 10 tracks album evolving around deviant industrial dancehall, experimental trap and balearic flavours. Including featuring with Catnapp, Enae and Stencil d'A.