Nonetheless
Atto EP

re:discovery records is proud to release for the first time, a vinyl edition of 'Two Zeroes' by Grain for it's 25th anniversary. Grain was a west coast project that emerged out of the psychedelic music and art scenes in Los Angeles in the early 1990s. After a few of their tracks were featured on the key chill out compilations United State of Ambience 1&2 and Excursions in Ambience and many local live performances, they released two ep's on local labels. Shortly after in 1998, 'Two Zeroes' the full length project appeared. A west coast chill out classic that unfortunately did not get much disribution outside the west coast let alone to the world. To classify this album is very hard. Think early Jammin Unit with a touch of the Orb and dash of west coast breakbeat and chill out styles and you still can't fully pin it down. A unique album that sonically, was leaps and bounds ahead of most albums in this style thanks to sound designer, audio instalation architect, scientist and artist Jimmy Johnson along with illustrator and fellow sonic artist Peter Ehrlich. Featured on double vinyl with updated artwork by the original designer, Kevin Hanley and presented on beautiful gatefold with a shimmering silver vinyl to match. This could be one of the discoveries of the year for those that have never heard this album. Dare to Dream with us.

Wormhole Wisdom returns with a reissue of 3 essential 90s techno trax by Oligo & Lost Sector. Written and produced by Bill Fuller & Ben Garner between 1995-1996 and previously released on Fishtank return to the surface in 2022 via Parts Unknown and Craigie Knowes reissue label, Wormhole Wisdom. Vinyl only release. Remastered with care from the original recordings by Johanz Westerman at Ballyhoo Studio Mastering, NL. Serious club material resurrected. For DJ use ONLY.

Hailing from Seoul but now firmly based in Amsterdam, Naone delivers a superb EP on Warning, mixing her emotional background with her more contemporary roots, the perfect bridge between both worlds, Asia and Europe, or perhaps between her inner self and the outside world. Starting with Perfectly Harmless, the mysterious track develops into deep feelings that really unfold and expand in Hondon-Ui Kaosu (Chaos of Chaos), where the electro breakbeat responds to a melody with hints of pop consciousness.On the flip side, the Korean artist unleashes her passion with the deep psy-trance infused enigmatic techno groover Haengjin (Marching), followed by a sensitive downtempo acid closer aptly titled What's Happening. Ultimately, this is about the process of making music, channelling emotions and perceptive energies to create a balanced representation of past emotions and memories.

A box of old photographic slides uncovered at a house clearance centre with a £5 asking price. On the slide's a collection of shots from the 60’s–70’s: British rural life plus various trips around Europe and a trip to the US. The lives of Bill, Jean and Edith (and Pippi the budgerigar). The relationship between the three is unclear but they seem to live together—or at least spend a lot of time together—they seem close. They like to travel and garden. What became of these people? Presumably, they have since passed away given their apparent ages in the pictures and the dates scrawled on the slides and boxes. What happened? How did these slides come to be here and were there no family or friends that wanted to claim them?Initially, the discovery feels uncomfortable, intrusive, upsetting even. The lives of these people—whoever they were—were lovingly recorded, only for the resulting documentation to be discovered decades later in a musty, tattered box, buried amongst other people's ex-belongings. It feels sad. Considerations on the transient, the ephemeral. It feels inescapable that—regardless of intention—this is in some way a commentary on the value of a life. On the value of Bill, Jean and Edith's (and Pippi’s) lives. But studying the slides in more detail it is clear that the 3 subjects shared many happy times and experiences. They are always smiling and there appears a sense of genuine camaraderie and affection between them. A passion for photography too.So should we be sad that these lives are seemingly forgotten? That £5 is the asking price for the physical documentation of years of adventures? Or satisfied that the imagery represents lives happily lived and shared. The value of these physical items (ie the slides themselves) is not equal to the value of the actual lived experiences of the subjects or the lesson that Bill, Jean, Edith (and Pippi) can teach us. Realising this provides an invitation to recognise a simple truth: the value of a life is in how it is lived in the moment. Exist and enjoy it—if you can—because in the face of impermanence that’s all we can really do. In the moment neither the beginning nor the end really exist.Petteril (James Gilbert) has been creating audio collages and improvisations with these concepts in mind. The music is not so much about the slides or the people on the slides, (although both the imagery and the music evoke a kind of nostalgia) but concerned with the whole philosophical discourse that ensued. Improvisation (with various instruments, physical, analog and digital) is a key consideration based on the aforementioned theme of being in the moment. Generative elements also represent that transience and the fleeting nature of moments coming and going, flowing from one moment to the next. These evolving beds of sound and improvisations coupled with Tape loops, field recordings and more are chopped, layered and collaged, processed, layered, collaged and processed again.

Fresh off the back of his superb new album, Voigtmann is back with an equally juicy new 12" on Half Baked, a party crew with which he has a long association. His intricate minimal style is laid bare here from the off with 'Aesthetic Solutions' offering up a colourful mix of trippy sound designs and sci-fi moods over slick tech drum programming. 'California Cruise Control' gets deeper, with a more prominent squelchy bassline taking centre stage. 'Underexposure' then ups the ante with a more cosmic and driving techno sound and last of all is 'Areola 51', another one built from silky loops and futuristic synths over crisp tech house beats.