VØG
Metamorphosis

Amsterdam producer Kaap steps forward on his own De Lichting imprint with three twisted jams of deep and playful techno. The passionate gearhead, known for his dubby takes on house and techno, started his Working Titles playground back in 2017 by running a niche cassette outlet Yield on the side. In late 2018 he merged into the prolific De Lichting collective and is a frequent guest on Indigo Aera's AEX series. After many years of hard work, Kaap's new solo EP is surfacing, and it's worth the wait. Over the course of three tracks, Kaap shows high levels of creativity. The first track 'Razor' is a bouncy bass wobbler, its rubbery acid lines and crispy percussion make it an ideal party starter. Title track 'Omen' reaches for deeper grounds, a deep and murky groover enlightened by tactical bleepy rhythms. Kaap's love for dub-techno triumphs on the lengthy b-side as a closer on this EP. With over ten minutes of hazy atmospheres and mesmerizing pads, it builds and builds towards the rolling fields of euphoria.

Dorisburg is Bossmusik regular with four releases on the label under his belt. For this EP he is joined by Efraim Kent - the newest member of the Boss family. Dorisburg and Efraim have many things in common, not just the previous records the pair has produced, but more importantly they unite in a shared love for intricate drum patterns, as well as being masters of trippy spiraling sounds. For the 10th installment in the Bossmusik collection, the Swedish duo goes all in with four deep, yet funky, expertly produced tech house cuts. The tenth release on the label will be released exactly ten years after the first record was released the 13th of October. The A-side opens with Further. A penetrating kick keeps chopped up drums and a spitting vocal sample in order and when the brooding bassline gets to close, hypnotic x-rays twists the narrative. On A2 the boys are clearly letting you know it is playtime; opening with a funk-driven beat and tumbling drums, this track is nothing less than a funhouse full of twirling tocsins - Attjo is certainly nothing to sneeze at. B1, Cave Gossip, is a low-slung affair with an electro-infused bassline; here a deep groove takes you on a hallucinogenic underground journey and a nonchalant vocal sample grows into a warped echoing choir. Final track Skrattack is where the drum-loving duo puts the full spotlight on the percussion: complex rhythm patterns provide a spaced-out backdrop, attacked by what sounds like giddy little extraterrestrial critters, ready to mess up the party in the most charming of ways.

With this release the label celebrates the return to the ranks of the founder Worg. A triumphant homecoming comparable to that of Jason, the main character of the Argonautica, who travelled in search of the Golden Fleece (Il Vello d'Oro) aboard the ship Argo. After many vicissitudes, the hero returned to Iolco, his homeland, to reclaim the throne usurped by his half-brother Pelias.This new chapter in the Lykos saga focuses on the deeds of Jason and the Argonauts, but also on a key figure who was indispensable to the success of this quest, Medea. Thanks to her and her magical skills, the fellowship of heroes succeeded in grabbing the Golden Fleece. Through careful sound design, hinted melodic cells and complex rhythms, Il Piano di Medea by Worg, sums up details and facts related to this extraordinary legend. Starting from the prophecies of the Oracles, to the tragic and bloody ending of the epic poem, which took place with the death of King Pelias by his own daughters, hypnotized and manipulated by Medea's magic.The narrative begins with the track Oracolo, characterized by a syncopated groove, nebulous atmospheres and the presence of a dark anthropomorphic synth, which alludes to the solemn, grave and authoritative voice of an entity. A prophetic spirit that warns the listener of the dangers that lurk for those who dare to enter this new sonic adventure. In order to foretell the future and to spread their word, the gods took possession of the bodies of priests who had fallen into ecstasy, using them as intermediaries. In his reinterpretation of Oracolo Neel, the grand Maestro of techno, in a similar way uses musical elements such as a harsh and acid bass line or a tight rhythm to lead the listener into a psychic state of suspension and mystical elevation.In the music piece Il Vello d'Oro, Worg draws attention to the rare preciousness of this magical relic, rumored to have the power to heal all wounds and for this reason longed by Jason. To evoke the purity of the golden mantle, the artist uses shimmering percussion, radiant textures and the omnipresence of an FM synth bass, full of brilliant harmonics. All enhanced by sound details scattered throughout the arrangement.Eryx, the record's final track, has a fluid and sinuous flow, with sound elements that recall water, a natural element, protagonist of the Argonauts' journey to the remote Colchis. A melody echoes in the distance, disappears and resurfaces to then collide, like waves on the rocks, with the complex and jagged rhythms that mark the gradual evolution of the track.

Liege-based Gravitational Effect heralds in Reposition's 3rd release with a dazzling electro EP.The 4-tracker pays tribute to electro's intergalactic appeal, whilst simultaneously espousing a fresh take on euphoric and mind-bending dancefloor music.Across the 3 original tracks, ever-evolving synth patterns and playful melodies meet cosmic tones and finely-programmed drum patterns.For such a release, Radioactive Man fit the bill perfectly to jump on remix duties, especially considering how much the legendary producer has inspired GE's musical outlook. His take on Base Control (the most hard-hitting original on the EP) experiments cleverly with the central synth pattern, pitching this down alongside more spaced-out production throughout, to create a 7-min masterpiece of psychedelic and engaging electro.

Clutter is Jean Jacques’s debut EP and in his own words “his first attempt to translate emotions and experiences into tracks”. While each of the four tracks has its own character and atmosphere, the end result is a very coherent body of work that can be broken down into two moods with a driving and unforgiving A side that is subtly balanced by a moody and dreamy B side.

Z@P returns to Cabaret Recordings for their 28th release.