Various Artists
Fusion Energy

New Norwegian imprint Continually with a debut EP from Ruton (Rub800 & Tonchius), touching through a variety of genres within the modern sound between house and techno.

Futuristic electronics by Niels Luinenburg (Delta Funktionen) under his new guise Immediate Proximity - in collab with Diana Napirelly. Ambient, Bass, Electro and Techno are the main identifiers for their output. Deep and emotive is the mood, but at the same time the music is playful and has a robust and confident character. This distinct direction, which was laid-out on the pair's debut LP '2334', has now led to the start of their own label: IMPROX - on which they'll release a series of EPs. On IMPROX, the duo experiments vivaciously with color, rhythm, space and tempo. Hi-tech, yet tribalistic rhythms are interlaced with elusive sci-fi themes. Big stage anthems are comfortably combined with cinematic ambient excursions. And through self engineered audio-gen modules, backed by a stark focus on sound design, the IMPROX series marks a powerful upgrade to Luinenburg's production capabilities.

Anthony Shakir, Kech Harrington, Martin Bonds, and Brian Bonds recorded the Fairmount Squad EP as a side project. It was released in 1998 and played on Detroit radio station mix shows and in local gentlemen's clubs, selling out quickly and never repressed until now.Swinging street rhythms and spacey, funky basslines define this classic release.

As a full moon hovers over an empire of cratered landscapes lightyears away, galaxy explorer HVL signals descend to Earth with electronic cuts orbiting around turbulent electro and translunar techno. Four more stories from the great void.

Casting its net far and wide, from Australia to Finland, via the UK and Tunisia, One Eye Witness’ maiden VA drop gathers a quartet of the international producers who’ve come to pique our interest in recent months.Starting with Tunis-based up-and-comer HearThug, who steps up with “Alien All Too Alien” - a steadily pulsatory, 303-marinated dasher interlarded with flocks of pugnacious talk box stabs and rattling drums, making it a proper DJ-friendly weapon for any hour of the day. Helsinki’s Jeku follows up with the tribal acid churner ‘Aftermath’, laying down a sleek, sub-heavy earworm prepped on submerging systems from under the deepest layers of the spectrum with its fluttering melody, sturdy basswork and FX-laden synthesis.Flip the coin over and here goes London-based groove manipulator Sohrab, entering the melee with ‘Ataraxia’ - a hypnotic slice of stealth mode, Gaussian-blurred dub techno that does exactly what’s written on the tin. The final number ’Surrender’ comes courtesy of rising Sydney-based producer Cousin, who treats us to a tripped-out ethereal riddim making the rounds betwixt the vaporous serenity of ambient and deep dub vibrations. The endearing final brushstroke to OEW’s first Zeitgeistian snapshot.Mastered by Marco at Analogcut. Artwork by Susanne Janssen.

This new Ep is the symbiotic union between the human mind of 616 and his machines. These tracks have been controlled, created and recorded in real time directly to tape without the help of a computer and microchip…love transistor.