Portal Jams
7th Day EP

Next up on Tofistock comes a MYKI release. tofistock home runner and producer energizing with 4 tracker dynamos programmed for a pure sense-floor bizz. Bringing up a rave thunderstorm A-side filled with rhythmic juggling work, crunchy stabs, and silky sneaky basslines. The elegantly rude B-side contains samples from the timeless UFO by ESG and his own reso master trademarks. This boutique toolpack is the essential firebone starter and the 1st in tofistock’s sense-floor new dance series.

Evasione Digitale is proud to present its third release, a collection of unreleased tracks from 1999, produced by the elusive Italian producer J.P. Energy.

Over the last couple of years, Morph and Bedside of Copenhagen have been engaged in the ambitious and on-going project Lightroom - a delicate exploration of male intimacy as a healing ritual against toxic masculinity. Working with more than fifty people to date, Lightroom has given birth to film, photography and music, and has traveled around the world at festivals and exclusive events, facilitating a continuous room for reflection on the concept and image of man - with the intention of decalcifying our ideas to create movement towards the new.In 2022, Lightroom is giving birth to In the light room - a full-length album by sound artist Enotea that features original music from the 2020 erotic short film Ei Blot Til Lyst by Marco Stoltze, the main piece that initiated the project to begin with. In the light room is released by the independent label InterCourse in collaboration with Morph and Bedside.In the light room creates a euphoric whirling, a spherical and meditative space that is alive and dynamic with the intention to facilitate metaphysical reflection. Pointing fingers back at classic late krautrock albums and forward into an aesthetic roughness of piano and guitar compositions merged with concrete sounds to stir up the sonic image, In the light room doesn’t suggest music so much as an exact art, but as a mysterious, ineffable force, rich in spirit.Enotea says that ”In the light room is about waves and walls, and the waves on walls insisting on freedom.”The album features music originally composed for the experimental porn short Ei Blot Til Lyst directed by Marco Stoltze and produced by Bedside Productions.

First split on ROOM record, a bipolar EP between Berg Jaar & Breekbaar. Raw packaging, no bullshit description... Let the music do the speaking.

The transcendental ambiance of the Kāthā cassette continues its amphibian metamorphosis. Adapting to its new terrestrial reality.Cerebral elements spread through the spine of Kusuma’s double offering towards Nic Ford’s ‘Cyberd’ layering percussive realms with a delicate balance of obscurity and enlightenment. Bolstering into the raw energy of a scared rainforest at dawn.On the flip side, Konduku stays fearless on Khun Fluff’s ‘Daw’ with his signature style of ominous drum patterns, fluttering low-ends. Goosebump-inducing textures across the grid - keeping the feline’s voice and meditative presence reverberating throughout. Cosmic veteran, Higher Intelligence Agency, transforms Temple Rat’s “The Garden of Earthly Delights” through his trademark synthetic modulations into a spellbinding B2 dream.

For Erika's second album "Anevite Void", she explores her live process as it permeates everything she does, including documenting the process of life in the elaborate sci fi mythology she created. Erika began performing live in Ectomorph in 1997 when she was gifted a TR-606 by BMG and asked to join the group. This grew to her building her own studio, performing solo as Erika, collaborating with people like Jay Ahern and Noncompliant, and performing as a member of Circle of Live. Her depth of thought and clarity of vision has led to her mentoring people on live performance through the In Bloom platform, where she has made a large impact on many up and coming musicians. "Anevite Void", Erika's new album, finds her organically writing songs for her live shows, allowing them to take shape through performance, and later recording them in the studio, making this the first album she has entirely written and produced on her own. Mixed by long time collaborator BMG, she finds this record as the launching point for a new process for her. Conceptually, this album was inspired by "the irregular life cycles created by three suns circling over a planetary organism that presents two major biomes: rocky crystalline desert, and deep layered forest, each of which exists above and/or below ground, depending on what phase the suns are in." From this realm the album took shape. She also chronicled this concept in drawings but found this painting by Detroit puckish punk legend Nai Sammon perfectly visually explained the concept, and chose it for the cover. She describes "each track is about an organic process that occurs: acts of survival of the biomes, or what happens between them and the multitude of other beings that they host." Erika is currently splitting her time between being based in Berlin and Detroit, is part of the triumvirate that runs Interdimensional Transmissions (BMG, Erika and Amber) that are releasing this record and produce legendary events such as No Way Back, Samhain and Return to the Source. She performs live and DJs and collaborates and oozes sonic truth in its many forms. Visit the "Anevite Void" in early 2023.