Interplanetary Criminal DJ Cosworth
Untitled

Cignol has cemented himself as one of the brightest lights in the burgeoning nu-skool electro scene, here he debuts on UTTU with 4 tracks of expertly produced deep emotional electro vibes.

After debuting on Flippen Disks in 2018 and a follow-up track on Bradley Zero’s Rhythm Section, PTDD is back on Flippen Disks with this debut solo-EP called „Sizipin“.
 Melting PTDD’s signature minimalist sound with a welcoming harmonic world in Hoe Je Het Snijdt, taking a wide array of influences from UK-bass and broken beat in Sizipin to HipHop in N Btj Blvn Dnsn or more progressive club sounds in Kajuit, this EP is a clear big step in PTDD’s development as a producer. 
 „Sizipin“, a made-up term for an adaptor that you don’t know the use for anymore, it’s a rather fitting name considering the circumstances of the creation go this EP. A connector for quitting his day-job to focus fully on audio and music work, building his studio in deep pandemic lockdown-Utrecht and most importantly becoming a father. Also features a vocal performance of PTDD’s son Olivier. Can you find it?

As a self-described “sponge for club music”, London-based Bristol transplant Ian DPM has cut a singular figure in both the West Country and the capital in just a handful of years. Already situated as the tastemaker behind music curation platform Definite Party Material, co-owner of Scuffed Recordings, and Noods Radio and Rinse FM resident, Ian DPM’s emergence as a producer has marked him as an expansively curious, bass-forward figure at the bleeding edge of genre boundaries. After retreating to his hometown of Portsmouth during lockdown to absorb the blueprints of ‘90s techno, Ian emerged with a new phase of experimentation: techno-inspired and indebted, yet eschewing loops and grids for a loose-limbed, open minded engagement of the form. Taking inspiration from the iconic carnival rides that are inseparable from their high-octane happy hardcore soundtrack, “One For The Waltzers” begins with a distant rumble of muffled breakbeats that inch ever closer. But rather than dizzying lights and in-the-red maximalism, “One For The Waltzers” gradually reveals its knowingly deep shimmy and groove. It is a drum-heavy and rhythmic production, masterfully using negative space to showcase every contour of its slowed-down rave horns and acid house synth lines. “KE01” inhabits the flipside of the same sonic world “One For The Waltzers”. Here, feverish percussive energy contrasts against pensive melodic synth chords. It’s a heady warehouse affair, familiar and complex, referential yet contemporary, and only adds to the momentum that Ian DPM is gathering.

Just because a planet may be tiny, doesn’t mean it isn’t abundant with life. With the fourth time around its orbit, Tiny Planet vol. 4 is all about teaming up and bonding in synergy; personal and unified collaborations specializing in hi-tech quioxic explorations of electronica. With an all new/all star cast of artists, materializing in four sleek and sexy tracks shaped for outer space indulgence.

This year marks 3 years of Needs.From humble beginnings in 2017, the label has since gone on to release tracks from some of our favourite artists in the scene, curated events with essential charities and initiatives, and in the process raised over L10,000.To mark this special occasion we're back where it all started, raising money and awareness for mental health. October 10th marks World Mental Health Day and this year's theme set by the World Federation for Mental Health is 'mental health for all'. To recognise and promote this occasion we've brought along another all-star cast to help us spread the message far and wide.

De Lichting announces its first solo record “Znton EP”, by the courtesy of Boris Acket (half of Working Titles). Boris delivers a conceptual club package of six lingering yet pounding groovers, ranging from playful minimal to dreamy house and more UK to techno influenced bass music. Four out of six tracks made their way onto vinyl, while the other two will be available digital on De Lichting’s Bandcamp page. Produced in one run with just a drum computer, mono synth, sampler, tape echo and a mixer, the release comprises a solid overlapping sound, but preserves its diversity through shimmering delays, distorting ring modulations and ever haunting synth patterns.